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Quichena dancing on the Calengam snake

Quichena dancing on the Calengam snake


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Quichena dancing on the Calengam snake

Quichena dancing on the Calengam snake, Krishna dances on the serpent Calengam (Kaliya), Signed: P. Sonnerat pinx, Poisson sc, Pl. 47, before p. 169 (vol. 1), Sonnerat, Pierre M. (pinx.); Poisson, Jean-Baptiste Marie (sculp.), 1782, Sonnerat, Pierre: Voyages aux Indes orientales et a la Chine. fait par ordre du Roi depuis 1774 jusqu en 1781: dans lequel on traite des moeurs, de la religion, des sciences & des arts des Indiens, des Chinois, des P?© gouins & des Mad?© gasses (...). Paris: chez l auteur: chez Froul?© : chez Nyon... 1782

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Media ID 20492409

© Sepia Times

1782 Chez Froul© Chez Lauteur Chez Nyon Dans Lequel De La Religion Des Chinois Des P©gouins And Des Mad©gasses Des Sciences And Des Arts Des Indiens Jean Baptiste Marie La Chine Paris Pierre Pierre M Pinx Poisson Poisson Sc Sculp Signed Sonnerat Sonnerat Pinx Traite Des Moeurs Voyages Aux Indes Orientales Kaliya


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EDITORS COMMENTS
In this print titled "Quichena dancing on the Calengam snake" we are transported to a mesmerizing moment in time. The image depicts Quichena, an enigmatic figure, gracefully dancing atop the serpent Calengam as Krishna himself dances alongside her. Signed by P. Sonnerat and beautifully engraved by Poisson, this artwork is part of Pierre Sonnerat's renowned collection "Voyages aux Indes orientales et a la Chine". The scene exudes an aura of mysticism and spirituality, inviting us to delve into the rich tapestry of Indian culture and mythology. Quichena's elegant movements seem to defy gravity as she effortlessly glides across the serpent's coiled body. Meanwhile, Krishna matches her steps with divine grace and charm. This extraordinary composition not only showcases the artistic prowess of its creators but also serves as a window into the customs, religion, sciences, and arts of both Indians and Chinese during that era. It is through such masterpieces that we can explore different cultures and gain a deeper understanding of their traditions. As we gaze upon this remarkable print from Sepia Times / UIG (Universal Images Group), let us be captivated by its beauty while appreciating the historical significance it holds within its brushstrokes.

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