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Marseille, France, from Civitates Orbis Terrarum by Georg Braun and Franz Hogenberg, engraving

Marseille, France, from Civitates Orbis Terrarum by Georg Braun and Franz Hogenberg, engraving


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Marseille, France, from Civitates Orbis Terrarum by Georg Braun and Franz Hogenberg, engraving

Cartography, France, 16th century. Marseille. From Civitates Orbis Terrarum by Georg Braun (1541-1622) and Franz Hogenberg (1540-1590), Cologne. Engraving

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Media ID 9572363

© DEA / A. DAGLI ORTI

16th Century Civitates Orbis Terrarum Elevated View Franz Hogenberg Georg Braun Guidance Marseille Only Men Renaissance Sailing Ship Town Two People Walking Western Script


FEATURES IN THESE COLLECTIONS

> Arts > Artists > H > Franz Hogenberg

> Europe > France > Maps

> Europe > France > Marseilles

> Europe > France > Paintings

> Europe > France > Sport > Sailing

> Universal Images Group (UIG) > Art > Painting, Sculpture & Prints > Cartography


EDITORS COMMENTS
This 16th-century engraving takes us back in time to the bustling port city of Marseille, France. From the renowned Civitates Orbis Terrarum collection by Georg Braun and Franz Hogenberg, this print showcases the rich history and intricate cartography of the era. The scene unfolds with two men strolling through the town, their figures elegantly captured against a backdrop of towering buildings and narrow streets. The elevated view allows us to marvel at Marseille's picturesque bay, dotted with sailing ships gracefully gliding across its azure waters. As we delve into this Renaissance masterpiece, it becomes evident that every detail has been meticulously etched onto paper. The precision and artistry employed in creating this engraving are truly remarkable. Through this historical lens, we gain insight into Marseille's past as a bustling hub of trade and commerce. Its strategic location on the Mediterranean made it an essential port for merchants from all corners of the globe. This print not only serves as a visual delight but also offers guidance into understanding how cities were depicted during that period. It is a testament to Braun and Hogenberg's dedication to documenting urban landscapes with accuracy and beauty. With Western script adorning its borders, this illustration transports us back centuries ago when maps were hand-drawn works of art rather than digital renderings. It invites us to appreciate both the craftsmanship behind such creations and our shared human history.

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