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Wild Angelica (Angelica sylvestris) by Leonhart Fuchs from De historia stirpium commentarii insignes (Notable Commentaries on the History of Plants) colored engraving, 1542
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Wild Angelica (Angelica sylvestris) by Leonhart Fuchs from De historia stirpium commentarii insignes (Notable Commentaries on the History of Plants) colored engraving, 1542
Herbal, 16th century. Leonhart Fuchs (1501-1566), De historia stirpium commentarii insignes (Notable Commentaries on the History of Plants), 1542. Plate: Wild Angelica (Angelica sylvestris). Colored engraving
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Media ID 9499367
© DEA / CHOMON
16th Century Apiaceae Close Up Herbal Latin Script Leonhart Fuchs Plant Root Angelica Angelica Sylvestris Wild Angelica
EDITORS COMMENTS
This print showcases the exquisite beauty of Wild Angelica (Angelica sylvestris) as captured by the skilled hands of Leonhart Fuchs in 1542. From his renowned work, De historia stirpium commentarii insignes (Notable Commentaries on the History of Plants), this colored engraving transports us back to the enchanting world of 16th-century botany. In this close-up view, we are invited to explore every intricate detail of this magnificent plant. The delicate leaves, with their finely serrated edges and vibrant green hue, gracefully unfurl towards us. The vertical composition allows us to appreciate the elegant structure that supports these lush foliage. The roots depicted here reveal a hidden complexity beneath the surface – a testament to Fuchs' meticulous observation and understanding of botanical anatomy. This illustration not only serves as an artistic masterpiece but also contributes valuable knowledge to the field of biology. Framed within Latin script, which adds an air of authenticity and historical significance, this engraved image is a testament to Fuchs' contribution to herbal studies during his time. It stands as a reminder that even centuries ago, humans were captivated by nature's wonders and sought ways to document and understand them. As we gaze upon this remarkable piece from Universal Images Group (UIG), let us be reminded of our enduring fascination with plants and their ability to inspire awe in both scientific exploration and artistic expression.
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