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Gilles as Pierrot by Jean-Antoine WATTEAU (1684-1721) French artist. Oil on canvas
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Gilles as Pierrot by Jean-Antoine WATTEAU (1684-1721) French artist. Oil on canvas
Gilles as Pierrot by Jean-Antoine WATTEAU (1684-1721) French artist. Oil on canvas. Louvre, Paris. Pierrot (Pedrolino in original Italian commedia dell arte), naive, unsuccessful lover, played in baggy white satin suit and whitened, unmasked face. Other figures are Doctor (masked) on ass, Leandre, Isabelle and the Captain
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Media ID 9768451
© Universal History Archive/Universal Images Group
1684 1721 Actors Arte Artist Captain Commedia Doctor Face Figures Italian Jean Antoine Louvre Lover Masked Original Paris Played Satin Suit Theatre Unsuccessful Watteau Baggy Comedie Dell Gilles Isabelle Leandre Naive Pierrot Unmasked
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EDITORS COMMENTS
This print showcases the renowned painting "Gilles as Pierrot" by Jean-Antoine Watteau, a celebrated French artist of the 17th century. The oil on canvas masterpiece can be found at the Louvre Museum in Paris, where it continues to mesmerize art enthusiasts from around the world. In this enchanting scene, Gilles assumes the role of Pierrot, a beloved character from Italian commedia dell'arte. Dressed in a baggy white satin suit and with his face whitened and unmasked, he embodies the essence of this naive and unsuccessful lover. Alongside him are other figures that add depth to the composition - a masked Doctor riding an ass, Leandre, Isabelle, and the Captain. Watteau's attention to detail is evident in every brushstroke; his ability to capture emotions through color and form is truly remarkable. The playfulness of Pierrot's attire contrasts beautifully with the seriousness of his companions' masks. As we gaze upon this artwork, we are transported back in time to an era when theater was alive with vibrant characters like Pierrot. This image serves as a reminder of Watteau's immense talent and contribution to French art history. It also invites us to reflect on our own roles within society - Are we playing our parts authentically or hiding behind masks?
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