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Germany, Essen, Der Papageienmann (Man with Parrots), 1902

Germany, Essen, Der Papageienmann (Man with Parrots), 1902


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Germany, Essen, Der Papageienmann (Man with Parrots), 1902

Max Liebermann (1847-1935), Der Papageienmann (Man with Parrots), 1902

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9571691

© DEA / E. LESSING

1902 20th Century Style Avenue Background People One Man Only Painted Image Park Parrot Selling Three Animals Vendor


FEATURES IN THESE COLLECTIONS

> Arts > Artists > L > Max Liebermann

> Arts > Sculpture

> Europe > Germany > Essen

> Europe > Germany > Paintings

> Europe > Germany > Sculptures

> Universal Images Group (UIG) > Art > Painting, Sculpture & Prints > Art


EDITORS COMMENTS
In this print taken in 1902, we are transported to Germany's Essen where a fascinating scene unfolds. The focus of the image is on "Der Papageienmann" or the Man with Parrots, portrayed by Max Liebermann, a renowned artist of his time. Standing tall in a park avenue, this vendor captures our attention as he skillfully sells his feathered companions to passersby. The man himself exudes an air of confidence and pride as he holds three vibrant parrots in his hands. His vertical stance against the backdrop of a sunny day creates a striking contrast that highlights his unique occupation amidst the bustling background people. It is evident that he is the sole protagonist here - one man only - commanding attention through both illustration and painting. This fine art piece beautifully encapsulates early 20th-century style with its painted image technique. The level of detail captured by Liebermann transports us back in time, allowing us to appreciate not only the artistic mastery but also gain insight into daily life during this era. As we gaze upon this outdoor scene frozen in time, it serves as a reminder of how art has always been intertwined with human existence; capturing moments like these for generations to come. This print from Universal Images Group (UIG) offers an intriguing glimpse into history while showcasing Liebermann's talent for immortalizing ordinary yet extraordinary individuals through his brushstrokes.

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