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Suruga Bank of the Oi River, 1834 (colour woodblock print)

Suruga Bank of the Oi River, 1834 (colour woodblock print)


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Suruga Bank of the Oi River, 1834 (colour woodblock print)

1069187 Suruga Bank of the Oi River, 1834 (colour woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Dallas Museum of Art, Texas, USA; gift of Mr. and Mrs. Stanley Marcus; Japanese, out of copyright

Media ID 22204040

© gift of Mr. and Mrs. Stanley Marcus / Bridgeman Images

Aerial View Caravan Crossing Travellers Suruga


FEATURES IN THESE COLLECTIONS

> Aerial Photography > Related Images

> Arts > Artists > A > Hiroshige Ando

> Arts > Artists > H > Utagawa Hiroshige

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Landscape paintings

> Asia > Japan > Related Images

> Fine Art Finder > Artists > Ando or Utagawa Hiroshige

> Fine Art Finder > Japanese Art

> North America > United States of America > Texas > Dallas

> Popular Themes > Caravans


EDITORS COMMENTS
This print titled "Suruga Bank of the Oi River, 1834" takes us on a journey back in time to Japan's picturesque landscapes. Created by Hiroshige, Ando or Utagawa, renowned for their mastery of woodblock printing during the 19th century, this artwork showcases their exceptional talent. The image offers an aerial view of the Suruga Bank of the Oi River, capturing a moment frozen in time. The vibrant colors and intricate details bring life to this scene from Japan's past. The river flows gracefully through the landscape, reflecting the surrounding mountains and creating a serene atmosphere. Intriguingly, we witness a procession crossing over the riverbank. A caravan of travelers moves along with purpose and determination. This glimpse into Japanese culture reveals their love for travel and exploration. As we delve deeper into this artwork, it becomes evident that every element has been carefully crafted to create harmony within nature's beauty. The composition draws our attention towards both man-made structures like bridges and boats as well as natural elements such as trees and mountains. Displayed at Dallas Museum of Art in Texas, USA after being gifted by Mr. and Mrs. Stanley Marcus; this piece holds historical significance while also showcasing Japanese artistry at its finest. Overall, this print is not just an exquisite representation of Japan's scenic landscapes but also serves as a window into its rich cultural heritage - inviting viewers to immerse themselves in its beauty and tranquility.

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Related Images


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The Fifty-three stations of the Tokaido. Seven. 7th Station Fujisawa, c. 1843-1847 (woodblock print on paper)
Horikiri Iris Garden by Utagawa Hiroshige, 1857 (woodblock print)
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Outer Sakurada, April 1854
Numazu: Dusk Scene, c. 1832-33 (woodblock)
Numazu: Dusk Scene, c. 1832-33 (woodblock)
Yoshiwara, Hidari Fuji, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Yoshiwara, Hidari Fuji, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Daybreak at Shinagawa, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Daybreak at Shinagawa, ca. 1834. ca. 1834. Creator: Ando Hiroshige
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Mitsukei Tenryugawa, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Narumi, Meibutsu Arimatsu Shibori, ca. 1832-1833. Creator: Ando Hiroshige
Narumi, Meibutsu Arimatsu Shibori, ca. 1832-1833. Creator: Ando Hiroshige
Hiratsuka; Nawate Do, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Hiratsuka; Nawate Do, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Otsu, Soii Chaya, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Otsu, Soii Chaya, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Okazaki, Tenshin no Hashi, ca. 1834. ca. 1834. Creator: Ando Hiroshige
Okazaki, Tenshin no Hashi, ca. 1834. ca. 1834. Creator: Ando Hiroshige

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