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L entree honteuse de Peder Jakobsson (ou Sunnanvejder

L entree honteuse de Peder Jakobsson (ou Sunnanvejder


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L entree honteuse de Peder Jakobsson (ou Sunnanvejder

FIA5408498 L entree honteuse de Peder Jakobsson (ou Sunnanvejder) et Maitre Knut (Knut Mikaelsson) a Stockholm en 1526 - The Ignominious Entry of Peder Sunnanvaeder and Maester Knut into Stockholm in 1526, by Hellqvist, Carl Gustaf (1851-1890). Oil on canvas, 1879. Dimension : 171x236 cm. Nationalmuseum Stockholm by Hellqvist, Carl Gustaf (1851-90); National Museum, Stockholm, Sweden; Photo eFine Art Images; Swedish, out of copyright

Media ID 23732550

© Fine Art Images / Bridgeman Images

A Lot Of People Bishop Flute Humiliation Mockery Shame Sweden Swedish Swede Music Instrument


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The captivating painting titled "L'entree honteuse de Peder Jakobsson (ou Sunnanvejder) et Maitre Knut a Stockholm en 1526" by Carl Gustaf Hellqvist takes us back to the streets of Stockholm in the year 1526. This remarkable oil on canvas print, measuring an impressive 171x236 cm, depicts a significant historical event with great attention to detail. The scene unfolds amidst a bustling cityscape filled with a multitude of people from all walks of life. The central figures, Peder Sunnanvaeder and Maester Knut, are shown entering the city in shame and humiliation. They ride atop horses while being accompanied by musicians playing flutes, their music echoing through the crowd. As we delve into this story from the past, it becomes evident that religious figures play a prominent role. A bishop and priests can be seen among the throng of people witnessing this ignominious entry. Their presence adds depth to our understanding of this event's significance within Christian religion and society at large. Hellqvist's skillful brushstrokes bring forth not only human emotions but also capture the essence of animals present in the procession. Horses stand tall yet carry an air of resignation as they bear their riders through what must have been an overwhelming experience for them as well. This thought-provoking artwork invites contemplation about power dynamics, public shaming, and social hierarchies prevalent during that era. It serves as

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