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Plate 178. Stepping On and Over a Trestle, 1872-85 (collotype on paper)

Plate 178. Stepping On and Over a Trestle, 1872-85 (collotype on paper)


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Plate 178. Stepping On and Over a Trestle, 1872-85 (collotype on paper)

3950189 Plate 178. Stepping On and Over a Trestle, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 17x43.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume III, Women (Nude)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright

Media ID 23659512

© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images

Animal Locomotion Climb Climbing Early Motion Picture Sequence Frames Motion Sequence Sequential Stop Motion Trestle B W Photo Black And White Photograph Stroll Strolling


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EDITORS COMMENTS
This photograph, titled "Plate 178. Stepping On and Over a Trestle" captures a moment frozen in time from Eadweard Muybridge's groundbreaking series "Animal Locomotion". Taken between 1872 and 1885, this collotype print showcases Muybridge's pioneering work in early motion picture sequences. In this particular frame, we witness the graceful movement of a nude female figure as she confidently navigates her way over a trestle. The sequential nature of the image allows us to observe each step with precision, highlighting the scientific approach behind Muybridge's photography. The stark contrast of light and shadow accentuates the woman's form against the backdrop of the wooden structure. Her nakedness adds an element of vulnerability to her actions, while simultaneously celebrating the beauty and strength inherent in human locomotion. Muybridge's study of movement revolutionized our understanding of how living beings interact with their environment. By capturing these fleeting moments through stop-motion frames, he revealed hidden details that would have otherwise gone unnoticed by the naked eye. As we gaze upon this mesmerizing photograph, we are transported back in time to witness an extraordinary blend of artistry and science. It serves as a testament to Muybridge's innovative spirit and his enduring legacy within both photographic history and scientific exploration.

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