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Oriental Antiquities: Mithra slaying the bull (comes from the Mithraeum of Sidon)
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Oriental Antiquities: Mithra slaying the bull (comes from the Mithraeum of Sidon)
JLJ4680789 Oriental Antiquities: Mithra slaying the bull (comes from the Mithraeum of Sidon). Low relief marble from Sayda, 2nd-3rd century (Greco-Roman period, Phenician Kingdom). Paris, Louvre Museum by Phoenician; Louvre, Paris, France; (add.info.: Oriental Antiquities: Mithra slaying the bull (comes from the Mithraeum of Sidon). Low relief marble from Sayda, 2nd-3rd century (Greco-Roman period, Phenician Kingdom). Paris, Louvre Museum); Photo ePhoto Josse; Syrian, out of copyright
Media ID 23337964
© Josse / Bridgeman Images
2 2nd 2nd 2nd Ii Iird Century Bull Sacrifice Antique Greece Grece Mythological Character Paganism
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EDITORS COMMENTS
This print showcases the Oriental Antiquities: Mithra slaying the bull, a remarkable low relief marble sculpture from the 2nd-3rd century. This masterpiece originated from the Mithraeum of Sidon, an ancient Phoenician Kingdom during the Greco-Roman period. Currently housed in the Louvre Museum in Paris, France, this artwork is a testament to both Phoenician and Greek cultures. The image depicts Mithra, a mythological character associated with Persian and Roman religions, engaged in a ritualistic act of sacrificing a bull. The intricate details of this sculpture highlight not only its artistic brilliance but also its religious significance. The scene captures the intensity and power as Mithra triumphantly overcomes his adversary. This piece serves as a window into antiquity, offering us insights into ancient beliefs and practices surrounding animal sacrifice and paganism. It symbolizes the fusion of different cultural influences prevalent during that time. Through this photograph by Josse, we are transported back to an era where mythology played an integral role in people's lives. It reminds us of our connection to our past and invites contemplation on how these ancient traditions have shaped our present-day understanding of religion and art. As we admire this extraordinary work of art captured through Josse's lens, we are reminded once again why museums like the Louvre continue to be revered for preserving humanity's rich cultural heritage for generations to come.
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