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Freemaking: Napoleon Joseph Charles Paul Bonaparte, nicknamed Prince Jerome or Plonplon
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Freemaking: Napoleon Joseph Charles Paul Bonaparte, nicknamed Prince Jerome or Plonplon
GIA4791451 Freemaking: Napoleon Joseph Charles Paul Bonaparte, nicknamed Prince Jerome or Plonplon being identified at the entrance of the Temple of Faubourg Saint Marcel. Engraving from " Picturesque Histoire de la Franc Maconnerie et des Societes Secretes Antique et Modernes" by F.-T. B. Clavel. Pagnerre, editor. 1843. by French School, (19th century); Private Collection; (add.info.: Freemaking: Napoleon Joseph Charles Paul Bonaparte, nicknamed Prince Jerome or Plonplon being identified at the entrance of the Temple of Faubourg Saint Marcel. Engraving from " Picturesque Histoire de la Franc Maconnerie et des Societes Secretes Antique et Modernes" by F.-T. B. Clavel. Pagnerre, editor. 1843.); eGiancarlo Costa; French, out of copyright
Media ID 22291128
© Giancarlo Costa / Bridgeman Images
Bonaparte Family Franc Masonry
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EDITORS COMMENTS
This engraving captures a significant moment in history, showcasing Freemaking: Napoleon Joseph Charles Paul Bonaparte, also known as Prince Jerome or Plonplon. The print depicts the prince being identified at the entrance of the Temple of Faubourg Saint Marcel. The image is taken from "Picturesque Histoire de la Franc Maconnerie et des Societes Secretes Antique et Modernes" by F. -T. B. Clavel, published in 1843 and edited by Pagnerre. It offers a glimpse into the secretive world of Freemasonry and its influence on prominent figures like Prince Jerome. Prince Jerome was a member of the renowned Bonaparte family, which played a significant role in French history. This engraving not only showcases his presence but also highlights his affiliation with Freemasonry. The composition exudes an air of mystery and intrigue, with intricate details capturing every aspect of this historical moment. The artist's skillful rendering transports us back to 19th-century France, allowing us to witness this important event firsthand. This print serves as a testament to both political and human aspects of French history, shedding light on the connection between influential families and secret societies during that era. Giancarlo Costa's expertise in capturing historical moments through art is evident in this exceptional piece from his private collection. Its inclusion adds further value to this remarkable depiction of Prince Jerome within the context of Freemasonry's influence on society at that time.
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