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London Going Out of Town, or the March of Bricks and Mortar (engraving)

London Going Out of Town, or the March of Bricks and Mortar (engraving)


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London Going Out of Town, or the March of Bricks and Mortar (engraving)

6000804 London Going Out of Town, or the March of Bricks and Mortar (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info.: London Going Out of Town, or the March of Bricks and Mortar. Illustration for Scraps and Sketches by George Cruikshank (no publishers name, c 1885). This is a reprint of pages that originally appeared between 1828 and 1832.); © Look and Learn

Media ID 22334654

© Look and Learn / Bridgeman Images

Expansion Growth Urbanisation Comics Encroaching Encroachment Entertaining Urban Sprawl


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London Going Out of Town, or the March of Bricks and Mortar

EDITORS COMMENTS
is a satirical engraving by George Cruikshank that offers a humorous commentary on the rapid urbanization and expansion of London in the 19th century. The print depicts a comical scene where buildings, represented as marching soldiers made of bricks and mortar, are encroaching upon the peaceful countryside. Cruikshank's witty illustration captures the essence of London's growth during this period, highlighting both its impressive construction projects and the consequences they had on rural landscapes. With his signature style, he combines satire with caricature to create an amusing yet scathing social critique. The image reflects not only British history but also resonates with broader themes related to urban sprawl and development seen across Europe. It serves as a reminder that this phenomenon was not unique to London alone but rather part of a larger trend occurring throughout industrialized nations. This particular print is from "Scraps and Sketches" originally published between 1828 and 1832. Its reprinting in later years demonstrates its enduring relevance as well as Cruikshank's lasting impact on British art. Overall, "London Going Out of Town" invites viewers to reflect on the balance between progress and preservation while providing entertainment through its clever depiction of architectural invasion.

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