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Gluttony: one of the seven deadly sins (engraving)
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Gluttony: one of the seven deadly sins (engraving)
3646407 Gluttony: one of the seven deadly sins (engraving) by Burgkmair, Hans (c.1473-1531) (after); Private Collection; (add.info.: Gluttony: one of the seven deadly sins. Illustration for Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten by Georg Hirth (Leipzig and Munchen, 1881-90). Digitally cleaned image.); © Look and Learn
Media ID 22721740
© Look and Learn / Bridgeman Images
Boar Cardinal Sins Gluttony Morality Seven Deadly Sins Sinners Vices
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EDITORS COMMENTS
This engraving by Hans Burgkmair depicts the sin of gluttony, one of the seven deadly sins. The image showcases a woman indulging in excessive consumption, surrounded by sumptuous food and drink. Her opulent dress and elaborate headdress reflect the extravagance associated with this cardinal sin. The artwork is part of an illustration for Kulturgeschichtliches Bilderbuch aus drei Jahrhunderten by Georg Hirth, published in Leipzig and Munchen between 1881-90. This digitally cleaned print allows us to appreciate the intricate details and symbolism embedded within the piece. Gluttony has long been condemned as a moral failing across various religious traditions, including Christianity. In this context, it serves as a cautionary reminder about the dangers of overindulgence and lack of self-control. Burgkmair's work captures not only the historical significance but also reflects the artistic style prevalent during Germany's Renaissance period. The attention to detail in depicting both human figures and still-life elements such as food is remarkable. This engraving offers viewers a glimpse into 16th-century German culture while exploring themes that remain relevant today – our constant struggle with temptation and our pursuit of pleasure at any cost. It serves as a powerful visual representation of how excess can lead to spiritual decay. Overall, this print invites contemplation on morality, vices, and our own personal battles against temptation – reminding us that even centuries-old art can continue to provoke thought and introspection in contemporary society.
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