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The Annunciation, the Visitation, and the Nativity, c. 1860 (stained glass)

The Annunciation, the Visitation, and the Nativity, c. 1860 (stained glass)


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The Annunciation, the Visitation, and the Nativity, c. 1860 (stained glass)

3474718 The Annunciation, the Visitation, and the Nativity, c.1860 (stained glass) by Burne-Jones, E. (1833-98) & Halliday, M. F. (1822-69); St.Columbas Church, Topcliffe, North Yorkshire, UK; (add.info.: Manufactured by Lavers & Barraud
adapted from William Burges); eAlastair Carew-Cox; English, out of copyright

Media ID 22443612

© Alastair Carew-Cox / Bridgeman Images

Agnus Dei Annunciation Archangel Bright Church Window Doves Embrace Embracing Gabriel Gothic Revival Gothick Holy Family Life Of The Virgin Manger Nativity Neo Gothic Stained Glass Window Tracery Victorian Gothic Visitation Ecclesiastical Pre Raphaelite William Burges


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Columbiformes > Doves > Related Images

> Animals > Mammals > Bovidae > Ox

> Arts > Artists > B > William Barraud

> Arts > Artists > J > William E. Jones

> Europe > United Kingdom > England > North Yorkshire > Related Images

> Europe > United Kingdom > England > Yorkshire > Related Images

> Europe > United Kingdom > England > Yorkshire > Topcliffe

> Fine Art Finder > Artists > E. & Halliday M. F. (1822-69)

> Fine Art Finder > Artists > Henry Stacey Marks

> Fine Art Finder > Stained Glass


EDITORS COMMENTS
This stunning stained glass print captures the beauty and significance of three pivotal moments in Christian history: The Annunciation, the Visitation, and the Nativity. Created by renowned artists Edward Burne-Jones and Martin F. Halliday in 1860, this masterpiece adorns St. Columbas Church in Topcliffe, North Yorkshire. The intricate details of this neo-gothic artwork are truly mesmerizing. Manufactured by Lavers & Barraud under the guidance of William Burges, every element is carefully crafted to evoke a sense of awe and reverence. From the delicate tracery to the vibrant colors that bring life to each scene, it is evident that no detail was overlooked. In one panel, we witness Gabriel's visitation to Mary as he announces her role in bearing Jesus Christ. The next panel portrays Mary's journey to visit her cousin Elizabeth after receiving this divine message – a moment known as "The Visitation". Finally, we are transported to Bethlehem where we witness the birth of Jesus Christ surrounded by angels, doves symbolizing peace, flowers representing purity and rebirth, an ox signifying humility, and his loving parents Joseph and Mary. This exquisite piece exemplifies Victorian gothic art at its finest – capturing both religious devotion and artistic brilliance. It serves as a testament to faith while also showcasing the immense talent of these visionary artists. As viewers gaze upon this print with wonderment and contemplation, they are reminded of the profound impact these events had on shaping Christianity for centuries

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