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Frontispiece from The monuments of Nineveh, 1849 (lithograph)
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Frontispiece from The monuments of Nineveh, 1849 (lithograph)
3899805 Frontispiece from The monuments of Nineveh, 1849 (lithograph) by Layard, Austen Henry (1817-94); New York Public Library, USA; (add.info.: From The monuments of Nineveh, from drawings made on the spot by Austen Henry Layard, Esq.
Doorway with lamassu (human-headed winged lions)
King Sennacherib of Assyria 705-681 BC was responsible for building at the Akkadian capital of Nineveh.
His grandson Ashurbanipal, the last great King of the Neo-Assyrian Empire, 668-c.627 BC built the library.
); British, out of copyright
Media ID 22312032
© Bridgeman Images
Akkadia Akkadian Archaeological Ashshurbanipal Ashurbanipal Assurbanipal Assyria Assyrian Doorway Guardian Guarding Iraq Lamassu Lions Mesopotamia Mesopotamian Near East Neo Assyrian Nineveh Protecting Protector Winged Divinity
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EDITORS COMMENTS
This lithograph print, titled "Frontispiece from The monuments of Nineveh, 1849" takes us on a journey back in time to the ancient city of Nineveh. Created by Austen Henry Layard, this artwork showcases the grandeur and architectural marvels that once stood in this historical site. At the center of the composition stands a magnificent doorway adorned with intricate carvings and flanked by two imposing figures known as lamassu – human-headed winged lions. These majestic creatures were believed to be protectors and guardians, symbolizing divinity and power. The print provides a glimpse into the reigns of King Sennacherib and his grandson Ashurbanipal, who played significant roles in shaping Assyria's history. Sennacherib was responsible for constructing many impressive structures within Nineveh's Akkadian capital, while Ashurbanipal established an extraordinary library during his rule. Every detail in this lithograph exudes elegance and sophistication. From the ornate stone carvings to the meticulously illustrated wings of the lamassu, it is clear that no expense was spared in creating these remarkable works of art. As we admire this image, we are transported to an era long gone but not forgotten – a time when Mesopotamia thrived as one of civilization's great centers. This print serves as both an archaeological treasure and a testament to humanity's enduring fascination with our ancient past.
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