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Une sorciere (A Witch). Peinture de Konstantin Apollonovich Savitsky (1844-1905), huile sur toile, 1879. Art russe, 19e siecle, realisme. State tretyakov Gallery, Moscou
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Une sorciere (A Witch). Peinture de Konstantin Apollonovich Savitsky (1844-1905), huile sur toile, 1879. Art russe, 19e siecle, realisme. State tretyakov Gallery, Moscou
FIA5381198 Une sorciere (A Witch). Peinture de Konstantin Apollonovich Savitsky (1844-1905), huile sur toile, 1879. Art russe, 19e siecle, realisme. State tretyakov Gallery, Moscou by Savitsky, Konstantin Apollonovich (1844-1905); State Tretyakov Gallery, Moscow; Photo © Fine Art Images
Media ID 24694620
© Fine Art Images / Bridgeman Images
Aging Loneliness Malediction Occult Science Old Age Witchcraft Thinking
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This print showcases the mesmerizing painting "Une sorciere (A Witch)" by Konstantin Apollonovich Savitsky, a renowned Russian artist of the 19th century. Created in 1879, this oil on canvas masterpiece is a prime example of realism in Russian art. Displayed at the State Tretyakov Gallery in Moscow, this artwork depicts a mysterious witch with an aura of enchantment and intrigue. The woman's face reflects the wisdom and weariness that comes with old age, while her piercing gaze suggests deep contemplation and perhaps even occult knowledge. Surrounded by symbolic elements such as an elegant chair, a regal cat perched on her lap, and a bird nearby, this painting exudes an air of mysticism. The intricate details of the necklace adorning her neck add to the richness and complexity of the composition. Savitsky's skillful use of color brings life to every aspect of this piece. From vibrant hues to subtle shades, each stroke contributes to creating an atmosphere that draws viewers into the world of witchcraft and magic. As we admire this remarkable work from afar, we are reminded not only of its artistic brilliance but also its ability to evoke emotions within us. It invites us to ponder upon themes like loneliness and aging while immersing ourselves in the enigmatic realm conjured by Savitsky's brushstrokes.
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