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The Nursery; with Britannia reposing in Peace, pub. 1802 (hand coloured engraving)

The Nursery; with Britannia reposing in Peace, pub. 1802 (hand coloured engraving)


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The Nursery; with Britannia reposing in Peace, pub. 1802 (hand coloured engraving)

3025913 The Nursery; with Britannia reposing in Peace, pub. 1802 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: reference to Peace of Amiens (1802); truce with Napoleon Bonaparte (1769-1821); William Pitt (1759-1806) singing lullaby; Charles James Fox (1749-1806) hanging nappies to dry; ); The Stapleton Collection; English, out of copyright

Media ID 22233996

© The Stapleton Collection / Bridgeman Images

Asleep Bonnet Rouge Calm Clothes Line Drag Drying Enormous Giant High Chair Liberty Cap Member Of Parliament Nanny Nappy Overgrown Political Satire Restful Song Soothing Treve Union Jack Washing Basinet Maid Sucking Thumb


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > James Charles

> Arts > Artists > C > William Charles

> Arts > Artists > G > James Gillray

> Arts > Artists > J > William James

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Amiens

> Europe > United Kingdom > England > London > Politics > William Pitt

> Fine Art Finder > Artists > J. Smith

> Fine Art Finder > Artists > James Gillray

> People > Politicians

> Popular Themes > Politics


The Nursery; with Britannia reposing in Peace

EDITORS COMMENTS
is a captivating hand-coloured engraving that offers a satirical glimpse into the political landscape of 1802. Created by James Gillray, this print showcases an array of prominent figures from the time, engaging in playful and symbolic activities. In the center of the image lies Britannia, personifying Great Britain herself, peacefully resting as a giant infant. This represents the state's tranquility during the Peace of Amiens truce with Napoleon Bonaparte. To her left stands William Pitt, singing a lullaby to soothe and maintain peace. On her right is Charles James Fox, hanging nappies to dry on a clothesline symbolizing diplomatic negotiations. The nursery setting further emphasizes the theme: high chairs are occupied by men dressed as women while sucking their thumbs or rocking cradles. The room is filled with political satire and caricatured statesmen engaged in domestic tasks associated with childcare. Gillray's meticulous attention to detail highlights both humor and commentary within this artwork. The enormous size of Britannia portrays her strength and dominance while also suggesting vulnerability when asleep. The presence of Liberty Cap signifies freedom amid peaceful times. This hand-coloured engraving captures not only historical events but also serves as social commentary on power dynamics within politics at that time. It remains an intriguing piece that invites viewers to reflect upon past events through artistry and wit.

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