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Portrait of the Marquise de Miramon, nee, Therese Feuillant, 1866 (oil on canvas)
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Portrait of the Marquise de Miramon, nee, Therese Feuillant, 1866 (oil on canvas)
2962881 Portrait of the Marquise de Miramon, nee, TherAšse Feuillant, 1866 (oil on canvas) by Tissot, James Jacques Joseph (1836-1902); 128.3x77.2 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: TherAšse Stephanie-Sophie Feuillant (1836-1912) married Rene de Cassagnes de Beaufort, Marquis de Miramon and is shown at his family seat, the ChAteau de Paulhac, Auvergne.
The gradual opening up of trade with Japan in the mid 19th century and the import of artefacts to Europe encouraged a popular curiosity about the East); French, out of copyright
Media ID 18257401
© J. Paul Getty Museum, Los Angeles, USA / Bridgeman Images
Dressing Gown East Eastern Gown Japonais Japonism Japonisme Mantle Mantlepiece Oriental Peignoir Scarf Wealthy West Western Occidental
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EDITORS COMMENTS
This portrait, titled "Portrait of the Marquise de Miramon, nee, Therese Feuillant" is a stunning example of James Jacques Joseph Tissot's mastery in capturing the essence and beauty of his subjects. Painted in 1866 with oil on canvas, this artwork measures an impressive 128.3x77.2 cm and is currently housed at the J. Paul Getty Museum in Los Angeles. The subject of this exquisite painting is Therese Stephanie-Sophie Feuillant, who later became known as the Marquise de Miramon after her marriage to Rene de Cassagnes de Beaufort. The artist portrays her within the grandeur of her husband's ancestral home, the Chateau de Paulhac in Auvergne. What makes this piece even more intriguing is its connection to Japan and its influence on European art during that period. As trade between Europe and Japan began to flourish in the mid-19th century, there was a growing fascination with all things Eastern among Western societies. This curiosity about the East can be seen through elements such as Therese's dressing gown adorned with Japanese motifs. Tissot skillfully combines both Western and Oriental aesthetics in this portrait, showcasing his ability to capture not only physical likeness but also cultural influences. Through his brushstrokes, he transports us back to a time when East met West and created a harmonious blend of styles. Overall, this remarkable artwork serves as a testament to T
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