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Apollo Crowning Himself, 1781-2 (marble)
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Apollo Crowning Himself, 1781-2 (marble)
3545842 Apollo Crowning Himself, 1781-2 (marble) by Canova, Antonio (1757-1822); 84.7 cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: In Ovids Metamorphoses, when the nymph Daphne escaped the pursuing Apollo by turning into a laurel tree, the Roman god of music and poetry vowed always to wear a laurel wreath); Italian, out of copyright
Media ID 22981356
© Bridgeman Images
Laurel Metamorphoses Neo Classicism Neoclassicism Ovid Wreath Neo Classical Neoclassical
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EDITORS COMMENTS
This print captures the essence of Antonio Canova's masterpiece, "Apollo Crowning Himself". The sculpture, crafted from marble in 1781-2, stands at an impressive height of 84.7 cm within the J. Paul Getty Museum in Los Angeles. The artwork draws inspiration from Ovid's Metamorphoses, a tale where Apollo relentlessly pursues the nymph Daphne until she transforms into a laurel tree to escape him. As a result, Apollo vows to forever wear a laurel wreath as a symbol of his undying love for her. Canova skillfully brings this mythological moment to life through his neoclassical style. The sculpture showcases Apollo gracefully placing the laurel wreath upon his own head, embodying both his divine status as the Roman god of music and poetry and his eternal devotion to Daphne. The intricate details and smoothness of the marble highlight Canova's mastery in sculpting human form. This neo-classical piece exudes elegance and poise while capturing Apollo's vulnerability through his nudity. As we gaze upon this remarkable photograph print by Bridgeman Images, we are transported back in time to witness this iconic scene from ancient mythology. It serves as a reminder of how art can immortalize legends and evoke emotions that transcend time itself.
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