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The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving)
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The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving)
7233714 The skeleton of Death grabs a woman at a ball, 18th century. 1803 (engraving) by Schellenberg, Johann Rudolf (1740-1806); (add.info.: The skeleton of Death, Freund Hans, grabs the hand of a woman at a ball, 18th century. Her male friends watch in horror. Prerogative. Des Starkern Vorrecht. Copperplate engraving by Johan Georg Mansfeld after an original by Johann Rudolf Schellenberg from Johan Kark Musauss Freund Heins Erscheinungen in Holbeins Manier, (Apparitions of Death in the manner of Holbein) Mannheim, 1803.)
Media ID 25210532
© Bridgeman Images
Allegoric Allegories Allergoric Alllegorical Figure Animal Skeleton Human Person Skeleton Symbole Symbolical Representation Symbolised Symbolising Symbology Allegorical Deaths Mortality Passed Away Societies Symbolic Symbols
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EDITORS COMMENTS
In this 18th-century engraving by Johann Rudolf Schellenberg, we are transported to a ball where the unexpected presence of Death himself sends shockwaves through the crowd. The skeleton figure, known as Freund Hans, reaches out to grab the hand of a woman amidst horrified onlookers. This powerful allegorical representation serves as a reminder of our mortality and the fleeting nature of life. The scene is filled with tension and symbolism. The woman's male friends watch in horror as Death interrupts their joyful gathering, highlighting the suddenness with which death can intrude upon even the most joyous occasions. The artist skillfully captures their expressions of fear and disbelief. Schellenberg's use of copperplate engraving adds depth and texture to this haunting image. His work draws inspiration from Holbein's iconic depictions of death, paying homage to his artistic style while adding his own unique interpretation. This print not only showcases Schellenberg's talent but also provides insight into German culture during this period. It reflects society's fascination with mortality and its desire for visual representations that provoke contemplation about life's transience. As we gaze upon this black-and-white masterpiece, we are reminded that death is an ever-present companion throughout our journey in life – a stark symbol that demands reflection on our own mortality.
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