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Illustration from La Dioptrique by Rene Descartes (1596-1650)

Illustration from La Dioptrique by Rene Descartes (1596-1650)


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Illustration from La Dioptrique by Rene Descartes (1596-1650)

CHT163647 Illustration from La Dioptrique by Rene Descartes (1596-1650), following the Discours de la Methode first published in Leiden in 1637 (engraving) (b/w photo) by French School, (17th century); Bibliotheque de l Academie de Medecine, Paris, France; eArchives Charmet; French, out of copyright

Media ID 22605234

© Archives Charmet / Bridgeman Images

Lens Lenses Observing Optical Optics Theorist Treatise Dioptrics


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EDITORS COMMENTS
This print showcases an exquisite illustration from "La Dioptrique" by the renowned French philosopher and mathematician, Rene Descartes. Published in Leiden in 1637 as a follow-up to his groundbreaking work, "Discours de la Methode" this engraving delves into the fascinating world of optics and lenses. The intricate artwork, created by an anonymous artist from the 17th century French School, is housed in the prestigious Bibliotheque de l'Academie de Medecine in Paris, France. It depicts Descartes' exploration of the construction of glasses and their role in understanding light refraction. As a prominent theorist on dioptrics, Descartes revolutionized our understanding of vision through his Cartesian theory. This illustration captures his meticulous observations with precision and elegance. The male figure depicted intently examines a lens with an eye-catching intensity that draws viewers into his scientific inquiry. Through this image, we are transported back to a time when scholars like Descartes dedicated themselves to unraveling the mysteries of optics. It serves as a powerful reminder of humanity's relentless pursuit of knowledge and our ceaseless fascination with unlocking nature's secrets. Bridgeman Images has masterfully preserved this remarkable piece from history for us to admire today. As we gaze upon it, we are reminded not only of Descartes' contributions but also of the beauty inherent in both artistry and scientific discovery.

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