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Title Page for A Quip for an Upstart Courtier: or, A quaint dispute between Velvet
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Title Page for A Quip for an Upstart Courtier: or, A quaint dispute between Velvet
488983 Title Page for A Quip for an Upstart Courtier: or, A quaint dispute between Velvet breeches and Cloth breeches by Robert Greene, published 1592 (woodcut and letterpress) by English School, (16th century); Private Collection; (add.info.: This publication by the Elizabethan playwright and pamphleteer Robert Greene (c.1558-92) compares the lives of the courtier (Velvet Breeches) and the merchant (Cloth Breeches) in order to find which is deserving of most respect. Wherein is plainely set downe the disorders in all Estates and Trade; class differences; aristocrat and the middle class man; ); English, out of copyright
Media ID 23257022
© Bridgeman Images
Breeches Comparison Courtier Early Modern Elizabethan Fancy Ordinary Plain Plumed Publication Smart Title Page Velvet Merchant
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EDITORS COMMENTS
This print showcases the title page of "A Quip for an Upstart Courtier: or, A quaint dispute between Velvet breeches and Cloth breeches" by Robert Greene, published in 1592. The woodcut and letterpress combination beautifully depicts the essence of this Elizabethan publication. Robert Greene, a renowned playwright and pamphleteer during the late 16th century, delves into a thought-provoking comparison between two contrasting figures - the courtier adorned in luxurious velvet breeches and the merchant clad in humble cloth breeches. This intriguing work aims to determine which deserves greater respect while shedding light on class differences, trade disorders, and societal hierarchies. The image itself portrays two distinct male figures standing side by side. On one hand, we have the courtier exuding elegance with his plumed hat and fancy attire; on the other hand, stands the merchant dressed plainly but smartly. The illustration masterfully captures their differing fashion choices as symbols of social status. Through this title page's intricate details and symbolism, it becomes evident that Greene explores not only clothing preferences but also deeper themes such as aristocracy versus middle-class values. It offers a fascinating glimpse into early modern English society's perceptions of wealth, power dynamics, and individual worth based on appearance. As we gaze upon this remarkable artwork from centuries past preserved within a private collection today let us appreciate its historical significance in understanding cultural norms surrounding dress codes during Shakespearean times.
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