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George Hamilton-Gordon, 4th Earl of Aberdeen, engraved by D. J. Pound from a photograph

George Hamilton-Gordon, 4th Earl of Aberdeen, engraved by D. J. Pound from a photograph


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George Hamilton-Gordon, 4th Earl of Aberdeen, engraved by D. J. Pound from a photograph

XJF392650 George Hamilton-Gordon, 4th Earl of Aberdeen, engraved by D.J. Pound from a photograph, from The Drawing-Room of Eminent Personages, Volume 2, published in London, 1860 (engraving) by Mayall, John Jabez Edwin Paisley (1810-1901) (after); Private Collection; (add.info.: George Hamilton-Gordon (1784-1860) Scottish Tory/Peelite politician, Foreign and colonial secretary (1828-35) and Foreign secretary (1841-46); ); British, out of copyright

Media ID 12872065

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Clasped Hands


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EDITORS COMMENTS
This print showcases George Hamilton-Gordon, the 4th Earl of Aberdeen, a prominent Scottish Tory/Peelite politician from the Victorian era. Engraved by D. J. Pound from a photograph taken by John Jabez Edwin Paisley Mayall in 1860, this portrait captures Lord Aberdeen's dignified presence and aristocratic demeanor. Seated with his hands clasped together, Lord Aberdeen exudes an air of wisdom and authority. His three-quarter length pose allows us to appreciate his refined features and distinguished attire, which befit his status as a member of the British aristocracy. Lord Aberdeen's political career was marked by significant contributions to foreign affairs. Serving as Foreign and Colonial Secretary from 1828 to 1835 and later as Foreign Secretary from 1841 to 1846, he played a crucial role in shaping Britain's international relations during that time. The engraving beautifully preserves the essence of this influential statesman who dedicated himself to public service for several decades. The fine details captured in this artwork pay homage to Lord Aberdeen's legacy while offering viewers a glimpse into the opulent world of Victorian society. Displayed here is just one among many remarkable portraits featured in "The Drawing-Room of Eminent Personages". Volume 2 published in London in 1860. This exquisite piece serves as a testament to both Lord Aberdeen's enduring impact on British politics and the artistic talent behind its creation.

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