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Eschwege and Fritzlar, Germany (engraving, 1572-1617)

Eschwege and Fritzlar, Germany (engraving, 1572-1617)


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Eschwege and Fritzlar, Germany (engraving, 1572-1617)

LRI4713564 Eschwege and Fritzlar, Germany (engraving, 1572-1617) by Hogenberg, Franz (1540-c.1590); Private Collection; (add.info.: Eschwege - Fritzlar (Eschwege and Fritzlar, Germany) - in " Civitates Orbis Terrarum" published in six parts between 1572 and 1617 by Georg Braun (1541-1622) and Frans Hogenberg (1535-1590)); Luisa Ricciarini; Netherlandish, out of copyright

Media ID 22837538

© Luisa Ricciarini / Bridgeman Images

Atlas Book Blazon Coat Of Arm Exterior View


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EDITORS COMMENTS
This engraving, titled "Eschwege and Fritzlar, Germany" transports us back in time to the late 16th century. Created by Franz Hogenberg, a renowned Netherlandish artist of the period, this print is part of the esteemed collection of Luisa Ricciarini. The scene depicted showcases two picturesque German cities nestled along a serene river. Eschwege and Fritzlar come alive with intricate details that capture the essence of their architectural beauty and historical significance. The cityscape features grand buildings and fortifications that proudly stand against the backdrop of lush fields. As we explore this engraving further, our eyes are drawn to a magnificent bridge connecting both cities. Its sturdy structure symbolizes unity and serves as a vital link between these thriving communities. Notably, Hogenberg's attention to detail extends beyond architecture; he includes coats of arms adorning various structures throughout the composition. These emblems represent each city's unique identity and rich heritage. Originally published in Georg Braun's monumental work "Civitates Orbis Terrarum" between 1572 and 1617, this engraving offers viewers an invaluable glimpse into Germany's past. It invites us to imagine what life was like during this vibrant era while appreciating Hogenberg's artistic skill in capturing its essence. Luisa Ricciarini has preserved this remarkable piece for future generations to admire—a testament to her passion for art history preservation.

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