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Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving
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Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving
NCO260492 Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: William (1765-1837) Duke of Clarence, later King William IV, voicing his opposition to the Bond Street Sailors who are too scared to enter the fight with France; also called A True British Tar ; one of eight vignettes depicting different types of eloquence; ); English, out of copyright
Media ID 22948894
© Bridgeman Images
Blue Coat Brutish Coarse Opposing Social Satire Stubborn Vignette
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Naval Eloquence - A Satirical Portrait of King William IV
EDITORS COMMENTS
. This hand-coloured engraving, titled "Naval Eloquence" was published by Hannah Humphrey in 1795 and created by James Gillray. The print captures a detailed and humorous depiction of William, Duke of Clarence, who would later become King William IV. In this satirical portrait, the Duke of Clarence is shown voicing his opposition to the Bond Street Sailors. These sailors are portrayed as timid and fearful individuals unwilling to enter the fight with France. The scene humorously highlights the duke's leadership qualities compared to those he criticizes. Gillray's caricature emphasizes various aspects of the duke's personality through visual cues. His blue coat and uniform indicate his naval background while his profile showcases his strong features. The artist portrays him as coarse, stubborn, and brutish—a true British tar. The vignette is part of a series depicting different types of eloquence, showcasing Gillray's talent for social satire and political commentary during Georgian times. Through sharp wit and biting humor, Gillray exposes societal issues while entertaining viewers. This finely-detailed engraving offers a glimpse into both historical events and artistic techniques prevalent during its time. It serves as a testament to Gillray's skill as an artist in capturing not only physical likeness but also conveying complex emotions through exaggerated caricatures.
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