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Pierrot, once called Gilles. (Pedrolino in the Commedia dell Arte)
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Pierrot, once called Gilles. (Pedrolino in the Commedia dell Arte)
JLJ4642991 Pierrot, once called Gilles. (Pedrolino in the Commedia dell Arte). Painting by Jean Antoine Watteau (1684-1721), 1718-1719. Dim. 1, 84 x 1, 49 m Musee du Louvre. Paris by Watteau, Jean Antoine (1684-1721); Louvre, Paris, France; (add.info.: Pierrot, once called Gilles. (Pedrolino in the Commedia dell Arte). Painting by Jean Antoine Watteau (1684-1721), 1718-1719. Dim. 1, 84 x 1, 49 m Musee du Louvre. Paris); Photo ePhoto Josse; French, out of copyright
Media ID 23716136
© Josse / Bridgeman Images
Blanc Blank Commedia Dell Arte Commedia Dellarte Deguisement Disguising Francaise Pierrot Francais Homme Peinture
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EDITORS COMMENTS
This print showcases Jean Antoine Watteau's masterpiece, "Pierrot, once called Gilles. (Pedrolino in the Commedia dell Arte)". Painted between 1718 and 1719, this artwork measures an impressive 1.84 x 1.49 meters and is housed in the prestigious Musee du Louvre in Paris. Watteau's painting depicts Pierrot, a well-known character from the Italian theatrical tradition of Commedia dell'Arte. Previously known as Gilles or Pedrolino, Pierrot is portrayed with delicate brushstrokes that capture his melancholic expression and white-powdered face. The artist skillfully conveys Pierrot's essence as a tragicomic figure through subtle details such as his oversized ruffled collar and expressive eyes. The significance of this artwork lies not only in its technical brilliance but also in its historical context. Watteau was one of the leading painters of the Rococo movement, which emerged during the early 18th century in France. This period was characterized by a shift towards more playful and lighthearted themes compared to the grandeur of Baroque art. "Pierrot" exemplifies Watteau's ability to infuse emotion into his subjects while maintaining an airiness that defines Rococo aesthetics. Through this painting, he immortalizes Pierrot as a symbol of both comedy and tragedy—a timeless representation that continues to captivate viewers today. As we admire this print captured by Photo Jos
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