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"There was an Old Person of Tring, who embellished his nose with a ring", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
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"There was an Old Person of Tring, who embellished his nose with a ring", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)
LLM386706 " There was an Old Person of Tring, who embellished his nose with a ring", from A Book of Nonsense, published by Frederick Warne and Co. London, c.1875 (colour litho) by Lear, Edward (1812-88); Private Collection; (add.info.: Written 1846; ); © Look and Learn
Media ID 23487312
© Look and Learn / Bridgeman Images
Absurd Bright Childrens Humourous Limerick Limericks Moon Nose Ring Pierced Piercing Rhyme Rhymes Surreal Verse
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This vibrant and whimsical print captures the essence of Edward Lear's famous limerick, "There was an Old Person of Tring, who embellished his nose with a ring". Published in A Book of Nonsense by Frederick Warne and Co. in London around 1875, this colour lithograph showcases Lear's unique blend of absurdity and wit. The illustration depicts an elderly gentleman from Tring proudly sporting a shiny nose ring that adds a touch of eccentricity to his appearance. The satirical drawing is filled with intricate details that bring the verse to life - from the man's expressive face to the bright jewelry adorning his nose. Lear's limericks were renowned for their playful language and nonsensical themes, appealing not only to children but also adults who appreciated his clever wordplay. This particular piece exemplifies Lear's ability to create humorous poetry that transcends age barriers. The surreal nature of this image further enhances its charm. Against a backdrop featuring both a radiant sun and serene moon, we are transported into Lear's imaginative world where anything is possible. The combination of vivid colors and exaggerated features gives this artwork a lively quality that captivates viewers' attention. As we admire this delightful print from A Book of Nonsense, we are reminded once again why Edward Lear remains one of the most beloved poets and illustrators in Victorian literature.
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