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Frontispice of the work of Petrone (Petronio Arbitro) (Petronius Arbiter)
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Frontispice of the work of Petrone (Petronio Arbitro) (Petronius Arbiter)
GIA4798612 Frontispice of the work of Petrone (Petronio Arbitro) (Petronius Arbiter): The Satyricon (satiricon). Illustration by Georges-Antoine Rochegrosse (1859-1938) of 1902. Milanese. by Rochegrosse, Georges Marie (1859-1938); Private Collection; (add.info.: Frontispice of the work of Petrone (Petronio Arbitro) (Petronius Arbiter): The Satyricon (satiricon). Illustration by Georges-Antoine Rochegrosse (1859-1938) of 1902. Milanese.); eGiancarlo Costa; French, out of copyright
Media ID 22291462
© Giancarlo Costa / Bridgeman Images
Banquet Frontispiece Orgy Antique Rome
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EDITORS COMMENTS
This frontispiece print, created by Georges-Antoine Rochegrosse in 1902, beautifully captures the essence of Petronius Arbiter's renowned work, "The Satyricon". The Milanese artist masterfully brings to life the decadence and debauchery of ancient Rome through his intricate illustration. In this scene, we are transported to a lavish banquet set against the backdrop of Roman opulence. Rochegrosse's attention to detail is evident as he meticulously portrays every aspect of this extravagant affair. From the ornate architecture and luxurious furnishings to the abundance of food and wine, no element is spared in showcasing the excesses of Roman society. The figures depicted in this artwork exude an air of indulgence and hedonism. They revel in their own pleasure without restraint or consequence. It is a vivid portrayal that reflects both Petronius' satirical commentary on Roman society and Rochegrosse's artistic interpretation. As we gaze upon this stunning print, we are reminded not only of the richness and complexity found within "The Satyricon" but also how art has the power to transport us across time and immerse us in different worlds. Rochegrosse's skillful rendering invites us into a realm where history merges with imagination, leaving us captivated by its beauty while contemplating deeper societal themes. This remarkable frontispiece serves as a testament to both Petronius Arbiter's enduring literary legacy and Georges-Antoine Rochegrosse's artistic prowess. It
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