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The Marmalong Bridge, with a Sepoy and Natives in the Foreground, c. 1783 (oil on canvas)
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The Marmalong Bridge, with a Sepoy and Natives in the Foreground, c. 1783 (oil on canvas)
XYC198546 The Marmalong Bridge, with a Sepoy and Natives in the Foreground, c.1783 (oil on canvas) by Hodges, William (1744-97); 68.6x91.4 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: built by an Armenian trader called Petros Uskan in 1726; now called Maraimalai Adigalar Bridge; Indian soldier under British orders; ); English, out of copyright
Media ID 12752791
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The Marmalong Bridge, with a Sepoy and Natives in the Foreground
EDITORS COMMENTS
is a captivating oil on canvas painting by William Hodges that transports us back to the year 1783. The artwork, measuring 68.6x91.4 cm, can be found at the Yale Center for British Art as part of the esteemed Paul Mellon Collection. In this picturesque scene, Hodges beautifully captures the iconic Marmalong Bridge spanning over Adyar River in Madras, Southern India. Originally built by an Armenian trader named Petros Uskan in 1726, it now bears the name Maraimalai Adigalar Bridge. The focal point of this composition lies in its foreground where we see a Sepoy soldier under British orders accompanied by local natives. Their presence adds depth and context to the painting, showcasing the diverse cultural tapestry of colonial India during that era. Hodges' attention to detail shines through his masterful brushstrokes as he skillfully depicts not only architectural elements but also lush landscapes surrounding the bridge. The vibrant colors and play of light create an atmosphere that transports viewers into this historical moment frozen in time. This remarkable piece serves as both a visual delight and a testament to cross-cultural encounters during Britain's colonial rule in India. It invites us to reflect upon our shared history while appreciating Hodges' artistic prowess and ability to capture such intricate scenes on canvas. (Word count: 200)
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