WITHCHCRAFT ACCUSATION. Goodwife Walford accused of witchcraft at Little Harbor, New Hampshire, in 1658. Wood engraving, 19th century
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WITHCHCRAFT ACCUSATION. Goodwife Walford accused of witchcraft at Little Harbor, New Hampshire, in 1658. Wood engraving, 19th century
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Media ID 7541919
1658 Apron Bonnet Cane Cape Colonist Colony Mystic Mysticism New Hampshire Occult Puritan Salem Settlement Settler Susanna Trial Witch Trimmings Walford
EDITORS COMMENTS
This wood engraving from the 19th century depicts a chilling moment in American history - the witchcraft accusation of Goodwife Walford at Little Harbor, New Hampshire, in 1658. The scene transports us back to a time when occult beliefs and mysticism were met with fear and suspicion. In this haunting image, we see Goodwife Walford standing trial for alleged witchcraft. She is dressed in typical Puritan attire, wearing a bonnet and cape with intricate trimmings. Her apron suggests her domestic role as a wife and mother within the settlement colony. Surrounded by stern-looking colonists, their faces etched with judgment and uncertainty, Goodwife Walford stands defiantly yet vulnerably before them. A cane rests beside her, perhaps symbolizing her strength amidst adversity or an instrument used against her during interrogation. The artist skillfully captures the tension of this historical event through detailed engravings that highlight every aspect of colonial life - from the architecture to clothing styles. This print serves as a reminder of how easily fear can lead to accusations that forever stain lives. Although not directly associated with Salem's infamous witch trials, this image sheds light on similar events occurring throughout North America during this period. It invites contemplation on the plight of women accused of practicing witchcraft and challenges us to reflect on our own society's treatment of those deemed different or unconventional. Granger Art on Demand has preserved this powerful piece which continues to intrigue viewers centuries later; it serves
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