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Adoration of the Shepherds, triptych, late 15th-early 16th century. Artist: Cornelius Engebrechtsz

Adoration of the Shepherds, triptych, late 15th-early 16th century. Artist: Cornelius Engebrechtsz


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Adoration of the Shepherds, triptych, late 15th-early 16th century. Artist: Cornelius Engebrechtsz

Adoration of the Shepherds, triptych, late 15th-early 16th century. Right panel showing the Virgin and Child

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Media ID 14847462

© Ann Ronan Picture Library / Heritage-Images

Bible Scene Birth Cornelis Engelbrecht Cornelius Cornelius Engebrechtsz Cornelius Engelbrechtsen Engebrechtsz Engelbrecht Engelbrechtsen Panel Saint Mary Shepherd St Mary Stella Maris The Virgin Mary Triptych Virgin Mother Ann Ronan Pictures Infancy Infant Mother Of God Virgin And Child


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> Arts > Art Movements > Medieval Art

> Arts > Art Movements > Renaissance Art

> Arts > Artists > E > Cornelis Engebrechtsz

> Arts > Artists > E > Cornelis Engelbrechtsen

> Arts > Artists > Related Images

> Arts > Fine Art

> Historic > Renaissance art > Medieval art > Renaissance paintings

> Historic > Renaissance art > Medieval art

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This print showcases the "Adoration of the Shepherds" triptych, a masterpiece created by Cornelius Engebrechtsz in the late 15th to early 16th century. The right panel of this triptych depicts a tender moment between the Virgin Mary and baby Jesus. The scene is set in a rustic countryside, with shepherds adoringly gazing at the newborn child. The warm colors and intricate details bring this biblical narrative to life, evoking a sense of awe and reverence. Engebrechtsz's skillful use of wood and oil paints captures the essence of love, family, and motherhood. This artwork beautifully portrays the bond between Mary and her divine infant as they are surrounded by an atmosphere of devotion. The Flemish artist's work reflects both medieval traditions and Renaissance influences prevalent during that time period. Through his meticulous brushwork, Engebrechtsz conveys religious themes while also showcasing elements of daily life in Holland. As we contemplate this stunning print, we are reminded not only of its historical significance but also its timeless message: that love knows no boundaries or centuries. It serves as a testament to faith, reminding us all to cherish our loved ones just as Mary cherishes her son Jesus Christ – an eternal symbol of hope for humanity.

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