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Apollo and Marsyas, 1637, (1938). Artist: Jusepe de Ribera

Apollo and Marsyas, 1637, (1938). Artist: Jusepe de Ribera


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Apollo and Marsyas, 1637, (1938). Artist: Jusepe de Ribera

Apollo and Marsyas, 1637, (1938). The satyr Marsyas being flayed alive by Apollo. Painting held by the Royal Museums of Fine Arts of Belgium, Brussels. Illustration from Spanish Painting, by E Harris. [John Gifford Limited, London, 1938]

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Media ID 15467041

© The Print Collector / Heritage-Images

Apollo E Harris El Spagnoletto Flay Flayed Flaying Giuseppe De Ribera Jose De Ribera Jose Ribera Joseph Ribera Jusepe De Jusepe De Ribera Jusepe Ribera Lo Spagnoletto Marsyas Mythical Figure Ribera Spagnoletto Harris


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> Arts > Artists > R > Jose Ribera

> Arts > Artists > R > Jusepe de Ribera

> Europe > Belgium > Brussels

> Europe > Belgium > Paintings

> Europe > Spain > Paintings

> Europe > United Kingdom > England > London > Art > Paintings

> Europe > United Kingdom > England > London > Royalty


EDITORS COMMENTS
This print showcases the intense and dramatic painting "Apollo and Marsyas" by Jusepe de Ribera. Created in 1637, this masterpiece depicts the horrifying mythological scene of Apollo flaying alive the satyr Marsyas. The artwork is currently held at the Royal Museums of Fine Arts of Belgium in Brussels. Ribera's exceptional talent for capturing emotions is evident in this piece, as he portrays both agony and power with remarkable skill. The vibrant colors employed by the artist bring life to this gruesome tale from Greek mythology, highlighting the contrast between Apollo's divine presence and Marsyas' mortal suffering. The Spanish painter, also known as Lo Spagnoletto, was renowned for his ability to depict religious subjects with great intensity. In "Apollo and Marsyas". Ribera explores themes of punishment, sacrifice, and hubris through his masterful use of oil paints. This particular print comes from a book titled "Spanish Painting" by E Harris, published in London in 1938. It serves as a testament to Ribera's enduring influence on art history throughout centuries. As viewers engage with this image today, they are transported back to seventeenth-century Spain where myth meets reality under Ribera's brushstrokes.

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