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Avalokitésvara (Guanyin), the Bodhisattva of Mercy, between c.1644 and c.1700. Creator: Unknown

Avalokitésvara (Guanyin), the Bodhisattva of Mercy, between c.1644 and c.1700. Creator: Unknown


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Avalokitésvara (Guanyin), the Bodhisattva of Mercy, between c.1644 and c.1700. Creator: Unknown

Avalokitesvara (Guanyin), the Bodhisattva of Mercy, between c.1644 and c.1700

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Media ID 36343275

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Avalokiteshvara Avalokitesvara Bodhisattva Bosatsu Buddha Buddhist Buddhists Dehua Ware Fotuo Guan Yin Guanyin Kannon Kuan Yin Mercy Padmapani Porcelain Qing Dynasty Quing Dynasty Typical Fujian Province


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> Historic > Ancient artifacts and relics > Ancient pottery

> Historic > Ancient artifacts and relics > Chinese antiquities

> Historic > Ancient artifacts and relics

> Historic > Ancient civilizations > Chinese Dynasties


EDITORS COMMENTS
This exquisite 17th century porcelain sculpture depicts Avalokiteshvara, also known as Guanyin or Kuan Yin, the Bodhisattva of Mercy and Compassion in East Asian Buddhism. The figure is believed to have been created in Dehua County, Fujian Province, China, during the Qing Dynasty, around the years 1644 to 1700. The sculpture is an example of Dehua Ware, a type of molded and modeled porcelain with incised decoration and a cream glaze. Avalokiteshvara is depicted here in a graceful and serene pose, with eleven heads and a thousand arms, each holding various objects to represent his boundless compassion and ability to save all beings from suffering. He is often depicted with the attribute of a lotus flower in his left hand, symbolizing detachment from worldly desires, and a willow branch in his right hand, symbolizing the relief of suffering. This figure of Avalokiteshvara, also known as Padmapani or the "Lord of the Lotus," is a popular deity in Buddhist traditions throughout Asia and is revered for his mercy and compassion. The sculpture is a testament to the rich cultural heritage of China and the influence of Buddhism on its art and religious practices. This figure is now on display at the Los Angeles County Museum of Art (LACMA) in California, United States, as part of their extensive collection of Asian art. The sculpture's intricate details and beautiful craftsmanship make it a valuable addition to the museum's collection and a reminder of the deep cultural connections between Asia and the Americas.

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