Home > Arts > Artists > B > Aureliano de Beruete
Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Wall Art and Photo Gifts from Heritage Images
Ecce-Homo, 1660 - 1670, (c1934). Artist: Bartolome Esteban Murillo
Ecce-Homo, 1660 - 1670, (c1934). Ecce homo (behold the man), are the Latin words used by Pontius Pilate when he presented Jesus Christ, bound and crowned with thorns, to a hostile crowd shortly before his Crucifixion. Depictions of the Ecce Homo were highly popular within Spain during the Counter Reformation. Oil on canvas. Held in the Museo del Prado, Madrid. From Galerias De Europa: Museo Del Prado, by A. De Beruete y Moret & Augusto L. Mayer. [Editorial Labor, S.A. Barcelona, c1934]
Heritage Images features heritage image collections
Media ID 14981701
© The Print Collector
A De Beruete August Liebmann August Liebmann Mayer Augusto L Mayer Aureliano De Aureliano De Beruete Bartolome Bartolomé Esteban Bartolomé Esteban Murillo Bartolome Murillo Beruete Cloak Crown Of Thorns Ecce Homo Galerias De Europa Mayer Murillo Museo Del Prado Our Saviour Passion Sadness Baroque Era
FEATURES IN THESE COLLECTIONS
> Arts
> Art Movements
> Baroque
> Arts
> Artists
> B
> Aureliano de Beruete
> Arts
> Artists
> M
> Bartolome Esteban Murillo
> Arts
> Artists
> M
> Bartolome Murillo
EDITORS COMMENTS
This print showcases Bartolome Esteban Murillo's masterpiece, "Ecce-Homo" painted between 1660 and 1670. The artwork depicts the pivotal moment when Pontius Pilate presented Jesus Christ to a hostile crowd before his Crucifixion, uttering the Latin words "Ecce homo" meaning "behold the man". This powerful portrayal of Jesus bound and crowned with thorns gained immense popularity in Spain during the Counter Reformation. Murillo's skillful use of oil on canvas brings forth a vivid image that is now held in the prestigious Museo del Prado in Madrid. In this portrait, we see a male figure draped in a red cloak, adorned with a beard and wearing traditional clothing from that era. The artist's attention to detail captures both the physicality and emotional depth of Jesus' suffering. The painting evokes strong religious sentiments as it symbolizes Christian beliefs surrounding Christ's sacrifice for humanity. Murillo masterfully conveys passion and sadness through his brushstrokes, creating an atmosphere that resonates with viewers even centuries later. This particular print was published in 1934 by Galerias De Europa: Museo Del Prado, authored by A. De Beruete y Moret & Augusto L. Mayer. It serves as a testament to Murillo's enduring legacy within art history while providing us with an opportunity to appreciate his profound interpretation of Ecce Homo.
MADE IN THE USA
Safe Shipping with 30 Day Money Back Guarantee
FREE PERSONALISATION*
We are proud to offer a range of customisation features including Personalised Captions, Color Filters and Picture Zoom Tools
SECURE PAYMENTS
We happily accept a wide range of payment options so you can pay for the things you need in the way that is most convenient for you
* Options may vary by product and licensing agreement. Zoomed Pictures can be adjusted in the Cart.
