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The Farmyard, c1797. Artist: William Nutter

The Farmyard, c1797. Artist: William Nutter


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The Farmyard, c1797. Artist: William Nutter

The Farmyard, c1797. After Henry Singleton (1766-1839). From The Connoisseur Volume XLIII. [The Connoisseur Ltd. London, 1915]

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Media ID 14969856

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Bonnet Chicken Cock Cockerel Farm Farmyard Henry Henry Singleton Machine Machinery Nutter Rake Rooster Side By Side Singleton Spinning Wheel The Connoisseur Waistcoat Metaphor


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Chicken

> Animals > Farm > Chickens > Related Images

> Arts > Artists > B > William Brown

> Arts > Artists > D > William Day

> Arts > Artists > S > Henry Singleton

> Arts > Literature > Magazines

> Arts > Realistic drawings > Still life artwork > Portrait artwork

> Arts > Street art graffiti > Still life > Portrait paintings


EDITORS COMMENTS
This print titled "The Farmyard, c1797" takes us back to the rustic charm of rural life in 18th-century Britain. The artist, William Nutter, skillfully captures the essence of a bustling farmyard scene with his meticulous attention to detail. In this snapshot from the past, we see a diverse group of people engaged in various activities. A couple stands side by side, their gaze fixed on something beyond our view. The man wears a hat and waistcoat while gesturing towards an unseen object, perhaps discussing plans for the day with his companion. Nearby, two women donning bonnets and dresses are engrossed in conversation as they tend to their tasks. Amidst the flurry of human activity, birds roam freely around the farmyard. A majestic rooster proudly struts its stuff alongside chickens pecking at grains scattered on the ground. In one corner of the frame stands a spinning wheel and other machinery used for textile production during that era. The color palette chosen by Nutter adds warmth and depth to this idyllic countryside setting. Shades of brown dominate the landscape, evoking a sense of simplicity and harmony with nature. "The Farmyard" is not just an ordinary photograph but rather an engraving that was featured in The Connoisseur Volume XLIII magazine published in London in 1915. It serves as a timeless reminder of rural life centuries ago - a metaphorical window into simpler times when hard work and community were at the heart of

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