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La Salle Taking Possession of the Land at the Mouth of the Arkansas

La Salle Taking Possession of the Land at the Mouth of the Arkansas


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La Salle Taking Possession of the Land at the Mouth of the Arkansas

La Salle Taking Possession of the Land at the Mouth of the Arkansas. March 10, 1682, 1847/1848

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Media ID 20633700

© Heritage Art/Heritage Images

American West Canoe Catlin Catlin George Cavelier Cavelier René Robert Claiming Cross Crosses Expedition Explorer George Catlin La Salle La Salle Robert De Land Owner Ownership Ren Robert Ren Robert Cavelier Rene Robert Cavelier Robert De Robert De La Salle Sieur De La Salle Tribal Tribe Arkansas River


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> Arts > Art Movements > Landscapes

> Arts > Artists > C > George Catlin

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Oil paintings

> Arts > Realistic drawings > Landscape paintings > Fine art

> Arts > Realistic drawings > Landscape paintings > Oil paintings


La Salle Taking Possession of the Land at the Mouth of the Arkansas

EDITORS COMMENTS
. This oil painting by George Catlin, titled "La Salle Taking Possession of the Land at the Mouth of the Arkansas" transports us back to a significant moment in American history. Painted in vibrant colors, this 19th-century artwork depicts French explorer René-Robert Cavelier, Sieur de La Salle, claiming new territory for France on March 10,1682. In this scene, we witness a diverse group gathered along the banks of the mighty Arkansas River. La Salle stands tall and proud as he plants a wooden cross into the ground, symbolizing his assertion of ownership over this vast land. Surrounding him are Native Americans and European settlers alike – men, women, and children – all witnessing this historic event. The painting beautifully captures not only an important colonial expedition but also highlights cultural exchanges between indigenous peoples and Europeans during that time period. It serves as a reminder of America's complex past where exploration and colonization intersected with native heritage. Catlin's attention to detail brings life to each figure present in this landscape. The lush surroundings showcase both natural beauty and human presence coexisting harmoniously. As we gaze upon "La Salle Taking Possession" we are reminded that history is shaped by those who dare to explore new frontiers while acknowledging its impact on local communities. This remarkable piece invites contemplation about our shared heritage and encourages us to reflect on how our world has evolved since that fateful day in 1682.

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