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The left hand and last panel of The Pearl Divers triptych, c1797-98, (1936). Creator
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The left hand and last panel of The Pearl Divers triptych, c1797-98, (1936). Creator
The left hand and last panel of a triptych by Utamaro, c1797-98, (1936). Kitagawa Utamaro (1753-1806), Japanese ukiyo-e woodblock of a woman lowering one leg into water with another pointing at fish. Coloured pigment on hand-made washi paper. From " The Studio Volume III" [London Offices of the Studio, London, 1936.]
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Media ID 19047361
© The Print Collector/Heritage Images
Aquatic Life Black Hair Fish Fishing Friend Friends Friendship Kitagawa Kitagawa Utamaro Local Industry Long Hair Mate Panel Pearl Fishing Pointing Sarong Semi Dress Semi Naked Skin Studio Publications Studio Volume Iii The Studio Ltd The Studio Publications Triptych Utamaro Utamaro Kitagawa Waters Edge Metaphor Testing The Water
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This print showcases the left hand and last panel of The Pearl Divers triptych, created by the renowned Japanese ukiyo-e woodblock artist Kitagawa Utamaro in 1797-98. Published in "The Studio Volume III" in 1936, this exquisite piece of art depicts a woman seated at the water's edge, elegantly lowering one leg into the shimmering depths while pointing towards a school of fish. Utamaro's masterful use of colored pigment on handmade washi paper brings vibrant life to this scene. The woman's long black hair cascades down her back as she sits dressed in a sarong, showcasing traditional attire from eighteenth-century Japan. Her semi-dressed state adds an air of sensuality and mystery to the composition. The image not only captures a moment frozen in time but also symbolizes friendship and camaraderie between two pearl divers testing the waters together. With its coastal backdrop and aquatic theme, this artwork pays homage to Japan's local industry and deep connection with the sea. Utamaro's skillful portrayal highlights his artistic prowess within the ukiyo-e genre, which flourished during Japan's Edo period. This print serves as a testament to his enduring legacy as one of Japan's most celebrated woodcut artists. As we gaze upon this remarkable piece, we are transported back centuries ago to witness both Utamaro’s technical brilliance and his ability to evoke emotion through his subjects' expressions and gestures.
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