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Madame Rejane, 1894. Creator: Aubrey Beardsley

Madame Rejane, 1894. Creator: Aubrey Beardsley


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Madame Rejane, 1894. Creator: Aubrey Beardsley

Madame Rejane, 1894. Portrait of French actress Gabrielle Rejane whose London debut as Catherine in " Madame Sans Gene" took place at the Gaiety Theatre on June 24, 1894. From The Yellow Book, Vol. II. The best of the artists many drawings of the great French actress whom he know personally...He sold it to the late Fredk. H. Evans for a £ 5 note, put this in his pocket and lost it in half an hour. Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

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Media ID 24364625

© Shirley Markham Collection/Heritage Images

Aubrey Beardsley Aubrey Vincent Beardsley Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Charles Elkin Mathews Decadent Movement Elkin Mathews Gabrielle Charlotte Reju Gabrielle Rejane Jane John Lane Lane John Mathews Charles Elkin Mathews Elkin Periodical Publishing Publishing House R A Walker R And Xe9 Rainforth Armitage Walker Rejane Shirley Markham The Yellow Book Walker Walker R A Walker Rainforth Armitage Graphic Design Madame Réjane


FEATURES IN THESE COLLECTIONS

> Architecture > Great Houses

> Arts > Art Movements > Art Nouveau

> Arts > Artists > B > Aubrey Beardsley

> Arts > Artists > E > Walker Evans

> Arts > Artists > J > John June

> Arts > Artists > W > Charles White

> Arts > Artists > W > John White

> Arts > Literature > Illustration

> Arts > Literature

> Arts > Portraits > Black and white portraits


Madame Rejane, 1894 - A Captivating Portrait of French Actress Gabrielle Rejane

EDITORS COMMENTS
. This mesmerizing print captures the essence of French actress Gabrielle Rejane in her iconic role as Catherine in "Madame Sans Gene". Created by renowned artist Aubrey Beardsley, this portrait showcases his deep admiration for the talented actress whom he knew personally. Originally published in The Yellow Book, Vol. II, this black and white illustration beautifully exemplifies Beardsley's distinctive art nouveau style. The intricate details and delicate lines bring out the grace and elegance that defined Madame Rejane's performances on stage. The significance of this particular print lies not only in its artistic value but also in its intriguing history. Beardsley sold it to Fredk. H. Evans for a mere £5 note, which unfortunately slipped from his pocket within half an hour. Despite this misfortune, the image has endured through time and is now featured in "The Best of Beardsley" edited by R. A Walker. As we gaze upon Madame Rejane's full-length profile, we are transported back to the vibrant world of 19th-century theater. This portrait serves as a testament to both the talent of Gabrielle Rejane and Aubrey Beardsley's exceptional ability to capture beauty with his pen. With every line meticulously drawn, this artwork encapsulates an era when literature and performance intertwined seamlessly. It stands as a tribute to two great artists who left an indelible mark on their respective fields – one through her captivating acting skills and the other through his innovative graphic design. Through this photo print, we can appreciate not only Madame Rejane's contribution to theater but also Aubrey Beardsley's enduring legacy as a master illustrator of his time.

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