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Raguels Blessing of her Daughter Sarah before Leaving Ecbatana with Tobias, c. 1640. Artist: Vaccaro, Andrea (1604-1670)

Raguels Blessing of her Daughter Sarah before Leaving Ecbatana with Tobias, c. 1640. Artist: Vaccaro, Andrea (1604-1670)


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Raguels Blessing of her Daughter Sarah before Leaving Ecbatana with Tobias, c. 1640. Artist: Vaccaro, Andrea (1604-1670)

Raguels Blessing of her Daughter Sarah before Leaving Ecbatana with Tobias, c. 1640. Found in the collection of the Museu Nacional d Art de Catalunya, Barcelona

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Media ID 14900326

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Andrea 1604 1670 Angel Of The Lord Archangel Raphael Book Of Tobit Catholic Church Charity Faithfulness Patron Patron Of Christian Churches Pilgrim Sarah School Of Neaple Tobias Tobias And Angel Travell Traveller Vaccaro Ecbatana Old Testament


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EDITORS COMMENTS
The captivating painting "Raguels Blessing of her Daughter Sarah before Leaving Ecbatana with Tobias, c. 1640" by Andrea Vaccaro takes us back to a moment of profound faith and devotion. Set in the Baroque era, this masterpiece showcases the artist's skillful use of oil on canvas to create a scene filled with spiritual significance. In this artwork, we witness Raguels tender blessing bestowed upon her daughter Sarah as they prepare to embark on a journey from Ecbatana alongside Tobias. The presence of an angel adds an ethereal touch, symbolizing divine protection and guidance throughout their pilgrimage. Vaccaro's attention to detail is evident in his portrayal of each character's expressions and gestures. The mother's face radiates love and concern for her daughter's well-being, while Sarah gazes up at Raguels with trust and reverence. The angel stands beside them, its serene countenance reflecting its role as a messenger from God. This painting draws inspiration from the Book of Tobit in the Old Testament, specifically highlighting the encounter between Tobias and Archangel Raphael during their travels. It serves as a reminder of the importance of charity, faithfulness, and perseverance in one's spiritual journey. Displayed at the Museu Nacional d'Art de Catalunya in Barcelona, this work exemplifies Vaccaro's mastery within the School of Neaple style popular during his time. It continues to captivate viewers today with its timeless depiction of religious devotion and unwavering

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