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Spanagel. Emile, Ignace. 20 ans, ne le 28 / 2 / 74 a Paris XVlle. Serrurier

Spanagel. Emile, Ignace. 20 ans, ne le 28  /  2  /  74 a Paris XVlle. Serrurier


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Spanagel. Emile, Ignace. 20 ans, ne le 28 / 2 / 74 a Paris XVlle. Serrurier

Spanagel. Emile, Ignace. 20 ans, ne le 28/2/74 a Paris XVlle. Serrurier. Anarchiste. 7/7/94. 1894

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Media ID 20138225

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Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Locksmith Mug Shot Mugshot Physical Anthropology Albumen Print Albumen Silver Print


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> Arts > Contemporary art > Photography > Portraits

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Portraits

> Europe > France > Paris > Politics

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
The captivating print titled "Spanagel. Emile, Ignace. 20 ans, ne le 28/2/74 a Paris XVlle. Serrurier" captures the essence of an era long gone by. Taken in the late 19th century by Alphonse Bertillon, this albumen silver print showcases the meticulous artistry and scientific precision that characterized his work. Emile Ignace Spanagel, a young man of twenty years hailing from Paris XVlle, is portrayed with remarkable clarity and detail against a black and white backdrop. His occupation as a locksmith is evident from his attire - rugged yet purposeful. However, it is not just Emile's profession that makes this photograph intriguing; it is also his political affiliation as an anarchist which adds depth to the image. In an age marked by social unrest and political upheaval, Emile stands defiantly before us, embodying the spirit of rebellion against established norms. Bertillon's expertise in anthropometry shines through in this mugshot-like portrait as he sought to develop a systematic method for identifying criminals based on physical measurements—a pioneering concept at the time. This thought-provoking piece invites us to reflect upon questions of identity, crime, and politics within French society during the late 19th century—an era where science intersected with law enforcement practices. Displayed at The Metropolitan Museum of Art (the Met), this photograph serves as both historical documentation and artistic expression—testament to Bertillon's

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