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That sprite of air is Schicchi; in like mood of random mischief vents he still his spite, c1890
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That sprite of air is Schicchi; in like mood of random mischief vents he still his spite, c1890
That sprite of air is Schicchi; in like mood of random mischief vents he still his spite, c1890. The alchemist Capocchio is attacked by Gianni Schicchi de Cavalcanti, who impersonated the dead Buoso Donati to claim his inheritance. They are punished for being imposters. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri. This long, narrative poem, written in Italian c1308-1321, tracing Dantes imaginary journey from Hell, through Purgatory and finally to Heaven and a beatific vision of God, has been published numerous times. This edition, published late 19th century, is illustrated by Gustave Dore. [Cassell Petter & Galpin, c1890]
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Media ID 18910504
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Alchemist Aligheri Alighieri Attack Attacking Damned Dante Dante Aligheri Dante Alighieri Deceit Divina Commedia Divine Comedy Dore Gustave Gustave Dore Hell Imposter Louis Christophe Gustave Dore Paul Gustave Paul Gustave Dore Petter And Galpin Poem Punishment Reptile Snake Snakes Soul Souls Suffering Cassell Cavalcanti Gianni
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EDITORS COMMENTS
The captivating print captures a dramatic moment from Dante Alighieri's "The Divine Comedy". In this scene, the mischievous sprite of air known as Schicchi is seen venting his spite through random acts of mischief. The year is c1890, and the talented artist Gustave Dore brings this vivid illustration to life. In the image, we witness an intense confrontation between two characters: the alchemist Capocchio and Gianni Schicchi de Cavalcanti. As imposters who attempted to deceive others for personal gain, they find themselves being punished for their deceitful actions. This punishment takes place in Hell, one of the realms that Dante explores during his imaginary journey. Dore's intricate engraving skillfully portrays the chaos and suffering within this infernal setting. The naked souls around them symbolize damnation while snakes slither amidst their feet, representing deception and treachery. "The Vision of Hell" serves as a powerful visual representation of Dante's epic poem that traces his spiritual odyssey through Hell, Purgatory, and Heaven. Published multiple times since its creation in c1308-1321, it continues to captivate readers with its profound exploration of morality and divine justice. This particular edition published in the late 19th century by Cassell Petter & Galpin showcases Dore's masterful illustrations alongside Alighieri's timeless words. It stands as a testament to both artistic brilliance and literary genius—a true treasure for enthusiasts of literature, art history, or those simply seeking an immersive experience into Dante's world.
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