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The Ugly Duckling, 1873. Artist: Joseph Swain
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The Ugly Duckling, 1873. Artist: Joseph Swain
The Ugly Duckling, 1873. Britannia and Neptune watch one of the new iron-clad ships Devastation leave port. Such ships were armed with giant guns. The First Lord of the Admiralty, George Goschen, had overspent on the 12 ships by some £ 235, 000 over his initial budget of £ 2 million. Mr Punch was not concerned for, as he said, the ships were so strong that the rest of the world, together, could not produce a force to fight Britain. From Punch, or the London Charivari, May 3, 1873
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Media ID 14831652
© The Print Collector / Heritage-Images
Britannia First Viscount Goschen George Joachim George Joachim Goschen Goschen Heritage Image Partnership John Tenniel Joseph Swain Neptune Poseidon Sir John Tenniel Swain Tenniel Trident Viscount Goschen Allegorical Figure Naval Warfare Warship
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The Ugly Duckling
EDITORS COMMENTS
is a captivating print that takes us back to the year 1873, where artist Joseph Swain skillfully captures the essence of an era marked by naval power and political satire. In this intriguing image, Britannia and Neptune stand side by side, observing the departure of the iron-clad ship Devastation from port. These formidable vessels were armed with massive guns, symbolizing Britain's dominance in naval warfare. The cartoon reflects a momentous event in history when George Goschen, the First Lord of the Admiralty, exceeded his budget by £235,000 to build twelve such ships. However, Mr Punch appears unfazed by this overspending as he humorously remarks that no force in the world could challenge Britain due to these mighty warships' strength. Swain's artistic prowess shines through as he depicts Britannia and Neptune with intricate detail. The allegorical figures exude power and authority; Britannia represents British nationalism while Neptune embodies maritime supremacy. Their presence evokes a sense of pride and confidence in their country's military might. This monochrome engraving not only showcases Swain's talent but also serves as a satirical commentary on politics and war during the 19th century. It highlights themes such as national defense, excessive spending on weaponry, and Britain's perceived invincibility. "The Ugly Duckling" remains an enduring testament to both historical significance and artistic brilliance—a timeless reminder of an era defined by naval prowess and political wit.
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