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Woman Digging Bamboo Shoots in the Snow, or Parody of Meng Zong (Moso), from Twenty-Fo

Woman Digging Bamboo Shoots in the Snow, or Parody of Meng Zong (Moso), from Twenty-Fo


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Woman Digging Bamboo Shoots in the Snow, or Parody of Meng Zong (Moso), from Twenty-Fo

Woman Digging Bamboo Shoots in the Snow, or Parody of Meng Zong (Moso), from Twenty-Four Paragons of Filial Piety, ca. 1765

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Media ID 20288938

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Bamboo Bare Feet Gardening Gardening Equipment Growing Harunobu Harunobu Suzuki Ink And Color On Paper Piety Pious Spring Suzuki Suzuki Harunobu Tools Barefoot Polychrome Woodblock Print


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> Arts > Artists > H > Suzuki Harunobu

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EDITORS COMMENTS
This vibrant and captivating woodblock print by Suzuki Harunobu, titled "Woman Digging Bamboo Shoots in the Snow, or Parody of Meng Zong (Moso), from Twenty-Four Paragons of Filial Piety" transports us to 18th century Japan. The scene depicts a woman diligently tending to her garden amidst a wintry landscape, defying the harsh weather conditions with her bare feet. Harunobu's mastery of color is evident in this piece as he skillfully portrays the contrast between the serene snow-covered surroundings and the vivid hues adorning the woman's clothing. Her traditional attire reflects both elegance and practicality, emphasizing her dedication to nurturing nature even in adverse circumstances. The inclusion of gardening tools further emphasizes her commitment to cultivating life despite challenging seasons. This juxtaposition between human intervention and natural elements highlights themes of resilience and perseverance. Drawing inspiration from literary references such as Meng Zong's parable on filial piety, Harunobu adds depth to this artwork by exploring concepts beyond its visual appeal. Through his artistic interpretation, he invites viewers to reflect on the importance of familial devotion and respect for nature. As we admire this rare gem from The Metropolitan Museum of Art's collection, we are reminded that art has an extraordinary ability to transcend time and space. Suzuki Harunobu's woodblock print not only captures a moment frozen in history but also serves as a testament to humanity's enduring connection with our environment.

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