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Sketches in Fiji, and in the Island of Rotumah, 1881: 1

Sketches in Fiji, and in the Island of Rotumah, 1881: 1


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Liszt Collection

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Sketches in Fiji, and in the Island of Rotumah, 1881: 1

SKETCHES IN FIJI, AND IN THE ISLAND OF ROTUMAH, 1881: 1. A Fijian Girl. 2. A War Dance before the Deputy Commissioner. 3. Fijian with Club and Train of Native Cloth. 4. Village of Noatau, Looking South. 5. Interior of Mamfiri Cave, the Crater of an Extinct Volcano. 6. Rocky Point, with Native Graves at Noatau. 7. Alipati Vaniha, Chief of the District of Ituteu. 8. Wesleyan Mission House at Noatau. 9. Mereseini, the Daughter of a Rotumah Chief. 10. A Fijian Chiefs Daughter. 11. A Fiji Islander in War Costume. 12. Entrance to Mamfiri Cave

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12662465

© Quint Lox Limited

1881 Cave Chief Chiefs Cloth Club Commissioner Costume Crater Dance Daughter Deputy District Entrance Graves Mission Native Point Rocky Sketches Train Village Volcano Wesleyan Fijian


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EDITORS COMMENTS
This 19th-century engraving from the Liszt Collection showcases a series of captivating sketches in Fiji and the Island of Rotumah. The print features twelve distinct scenes, each offering a glimpse into the rich cultural heritage of these Pacific islands. The first sketch portrays a Fijian girl, her vibrant attire reflecting the colorful traditions of her people. In contrast, the second sketch captures a war dance performed before the Deputy Commissioner, illustrating both strength and pride within their warrior culture. Further sketches depict various aspects of daily life on these islands: a Fijian holding a club while adorned in native cloth, an aerial view of Noatau village with its stunning scenery stretching southwards, and an intriguing interior shot showcasing Mamfiri Cave—a volcanic crater turned extinct. The print also highlights significant figures such as Alipati Vaniha, Chief of Ituteu District, alongside Wesleyan Mission House at Noatau—an emblematic symbol representing missionary influence during that era. Additionally, portraits feature Mereseini—the daughter of a Rotumah Chief—and another portraying a Fijian chief's daughter dressed in traditional regalia. Lastly, we are presented with an image capturing a Fiji islander donning striking war costume and finally an entrance to Mamfiri Cave—inviting viewers to explore this mysterious natural wonder. Through its detailed engravings and illustrative technique characteristic of 19th-century style artistry, this vintage print offers us valuable insights into the historical arts and culture prevalent during that time period.

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