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Yayoi, The third month. Ishikawa, Toyomasa, active 1770-1790, artist, [between 1764

Yayoi, The third month. Ishikawa, Toyomasa, active 1770-1790, artist, [between 1764


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Yayoi, The third month. Ishikawa, Toyomasa, active 1770-1790, artist, [between 1764

Yayoi, The third month. Ishikawa, Toyomasa, active 1770-1790, artist, [between 1764 and 1772, printed later], 1 print : woodcut, color; 25.9 x 19.5 cm. Print shows children playing, two carrying a palanquin, outside the entrance to a house where, within, a man and a woman are eating

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12668931

© Quint Lox Limited

1764 1772 Carrying Children Eating Entrance Month Palanquin Playing Printed Shows Ishikawa


EDITORS COMMENTS
This vibrant woodcut print titled "Yayoi, The third month" by Ishikawa Toyomasa captures a lively scene from Japanese daily life in the late 18th century. The print, which was created between 1764 and 1772 but printed later, measures 25.9 x 19.5 cm and is filled with intricate details. In the foreground of the image, we see children joyfully playing outside the entrance to a traditional Japanese house. Two of them are carrying a palanquin, adding an element of excitement to the scene. Inside the house, a man and woman can be seen enjoying their meal together. The artist's skillful use of color brings this snapshot of everyday life to life - vibrant shades of reds, blues, and greens create a visually striking composition that draws viewers into its world. Each character is meticulously depicted with expressive facial features and dynamic poses. Ishikawa Toyomasa's work showcases his talent for capturing both intimate moments and bustling activity within one frame. This particular print offers us a glimpse into Japan's rich cultural heritage while also highlighting the universal joys found in childhood playfulness. Quint Lox has masterfully captured this stunning piece from Liszt Collection through his photography skills, allowing us to appreciate its beauty even if we cannot view it in person.

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