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The artists van

The artists van


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The artists van

The artists van. Marcus Sparling, full-length portrait, seated on Roger Fentons photographic van. Date 1855

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 7263359

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10591151

Crimean Ottoman


EDITORS COMMENTS
This evocative image captures the moment when British artist Marcus Sparling takes a break from the frontlines of the Crimean War to create a painting on the shores of the Eastern Sea. Dated 1855, the photograph shows Sparling seated on the exterior of Roger Fenton's portable photographic darkroom and lab, known as a 'van.' At the time, Fenton was one of the most renowned photographers of the British Empire, documenting the Crimean War for Queen Victoria and the world. The Crimean War (1853-1856) was a significant conflict between the Russian Empire and the Ottoman Empire, with the British and French allied forces intervening on the side of the Ottomans. The war took place along the shores of the Black Sea and the Sea of Azov, making this location a strategic and picturesque setting for Sparling's work. The artist's easel and painting supplies are visible in the background, as he pauses to capture the scene before him. The van, with its distinctive red stripes and ornate detailing, serves as a mobile studio and darkroom, allowing Sparling to create and develop his artwork in the field. The rugged terrain and military presence in the background underscore the challenging conditions under which these artists worked during times of war. This photograph offers a unique glimpse into the artistic process during the Crimean War, as well as the role of the British and French Empires in shaping the geopolitical landscape of Eastern Europe and the Middle East. Sparling's painting, like Fenton's photographs, would have contributed to the visual record of this pivotal moment in history.

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