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PINTURICCHIO, Bernardino di Betto, called Il
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PINTURICCHIO, Bernardino di Betto, called Il
PINTURICCHIO, Bernardino di Betto, called Il (1454-1513). Piccolomini Library. Eneas Piccolomini arriving to Ancona. 1502-1508. ITALY. Siena. Cathedral. Detail of the entourage of the Pope Pius II. Renaissance art. Quattrocento. Fresco
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Ancona Arriving Bernardino Betto Called Eneas Entourage Fresco Italia Piccolomini Pinturicchio Pius Pope Quattrocento Renaissance Siena Europeans
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This exquisite detail from the fresco "Eneas Piccolomini Arriving to Ancona" by Bernardino di Betto, known as Pinturicchio, showcases the grandeur and splendor of the entourage accompanying Pope Pius II as he traveled through Italy in 1502-1508. The scene, located in the Piccolomini Library in Siena's Cathedral, is a prime example of the Quattrocento Renaissance art that flourished during this period. Bernardino di Betto, a Sienese painter, skillfully captured the essence of the papal procession with intricate detail and vibrant colors. The detail depicts Pope Pius II, dressed in his papal robes and seated on his horse, surrounded by his cardinals, soldiers, and other dignitaries. The artist masterfully portrays the rich textures of their clothing, the intricate designs of their armor, and the varied expressions on their faces. The Piccolomini Library, a room in Siena's Cathedral, was commissioned by Enea Piccolomini, a nephew of Pope Pius II, to house his family's collection of ancient Roman texts. The library's walls are adorned with a series of frescoes, including this one, which depict scenes from Virgil's "Aeneid." The fresco of Eneas Piccolomini Arriving to Ancona is one of the most famous and well-preserved works in the series. This detail offers a glimpse into the grandeur and opulence of the papal court during the Renaissance period, as well as the artistic skill and innovation of Pinturicchio. The intricate details and vibrant colors bring the scene to life, transporting viewers back in time to witness the splendor of the papal procession.
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