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The Germ, the magazine founded by the Pre-Raphaelite Brotherhood in 1850 at the beginning
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The Germ, the magazine founded by the Pre-Raphaelite Brotherhood in 1850 at the beginning
The Germ, the magazine founded by the Pre-Raphaelite Brotherhood in 1850 at the beginning of the movement. The Germ was a magazine established in 1850 at the beginning of the Pre-Raphaelite movement by its founding members Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais and, editor and historian of the movement, William Michael Rossetti. Born out of an idea of D G Rossetti s, the magazine sought to circulate the creative work and radical ideas of the Pre-Raphaelites as expressed in poetry, literature and art. Date: 1895
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Brotherhood Dec20 Germ Holman Hunt Millais Movement Publication Raphaelite Rossetti
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This image showcases the front cover of The Germ, a groundbreaking magazine established in 1850 by the Pre-Raphaelite Brotherhood's founding members: Dante Gabriel Rossetti, William Holman Hunt, John Everett Millais, and William Michael Rossetti. The Pre-Raphaelite movement, a revolutionary force in Victorian art and culture, aimed to challenge the conventional norms of the time through their innovative approach to poetry, literature, and art. The Germ served as the movement's primary platform for disseminating their radical ideas and creative works. Conceived by Dante Gabriel Rossetti, the magazine's inception marked the beginning of the Pre-Raphaelite movement's meteoric rise to prominence. Rossetti, Hunt, Millais, and Rossetti (as the editor and historian of the movement) collaborated to create a publication that would captivate the public's imagination and spark a cultural revolution. The cover image, dated 1895, showcases the magnetic allure of the Pre-Raphaelite aesthetic. With its intricate detail and rich colors, the artwork embodies the movement's commitment to realism, emotion, and a return to the purity of art as inspired by nature. The Germ's publication marked a pivotal moment in art history, as it not only showcased the works of the Pre-Raphaelites but also fostered a community of like-minded artists and thinkers who would shape the future of art and culture.
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