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Sweet William, Dianthus barbatus
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Sweet William, Dianthus barbatus
Sweet William, Dianthus barbatus (Crowded pink, Dianthus aggregatus). Handcoloured copperplate engraving by Weddell after Edwin Dalton Smith from John Lindley and Robert Sweets Ornamental Flower Garden and Shrubbery, G. Willis, London, 1854
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Media ID 23205938
© Florilegius/Mary Evans
Barbatus Carnation Crowded Dalton Dianthus Edwin Lindley Ornamental Shrubbery Sweet Weddell Smith
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EDITORS COMMENTS
Sweet William: A Timeless Flower Beauty in this Handcoloured Copperplate Engraving This exquisite handcoloured copperplate engraving showcases the enchanting beauty of Sweet William (Dianthus barbatus), also known as Crowded Pink or Sweet William Carnation. The image, created by Weddell after Edwin Dalton Smith, is an intricate masterpiece from John Lindley and Robert Sweet's Ornamental Flower Garden and Shrubbery, published by G. Willis in London in 1854. The Sweet William is a beloved flower, with its distinctive five-petaled blossoms displaying a captivating rosy-pink hue, often with white edges. In this illustration, the delicate petals are meticulously handcoloured, adding depth and vibrancy to the engraving. The plant's tall, slender stems are adorned with rich green leaves, creating a striking contrast against the pink blooms. The Sweet William was a popular choice for Victorian gardens, and its enduring charm continues to captivate gardeners and flower enthusiasts today. The botanical illustration provides a fascinating glimpse into the past, showcasing the intricacies of this beloved flower in stunning detail. The artistry of this handcoloured copperplate engraving is truly breathtaking, with its precise lines and vibrant colours. The intricate details of the Sweet William's petals, leaves, and stems are brought to life, making this a must-have for any botanical art or garden enthusiast's collection. This beautiful illustration serves as a testament to the timeless allure of Sweet William and the art of botanical illustration. It invites us to appreciate the natural world in all its intricacy and beauty, transporting us back to a time when such illustrations were the primary means of documenting and celebrating the wonders of the plant kingdom.
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