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Metope from temple of Zeus with Labours of Heracles, detail of Heracles receiving apples of Hesperides, Circa 460 B. C

Metope from temple of Zeus with Labours of Heracles, detail of Heracles receiving apples of Hesperides, Circa 460 B. C


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Metope from temple of Zeus with Labours of Heracles, detail of Heracles receiving apples of Hesperides, Circa 460 B. C

Greek civilization, 5th century b.C. Metope from the temple of Zeus. Labours of Heracles: Heracles receiving the apples of Hesperides, circa 460 b.C

Universal Images Group (UIG) manages distribution for many leading specialist agencies worldwide

Media ID 9469995

Ancient Greece Archeology Damaged Female Likeness Gesturing Heracles Incomplete Literature Mythology 460 Bc


EDITORS COMMENTS
This print showcases a mesmerizing detail from the Metope of the temple of Zeus, dating back to the 5th century B. C. It depicts one of the legendary Labours of Heracles, specifically his momentous encounter with the apples of Hesperides. The image captures Heracles standing tall and gesturing passionately as he receives these mythical fruits. Despite its age, this ancient carving still exudes an aura of power and grandeur. Although slightly damaged over time, it remains a testament to Greek civilization's rich mythology and artistic prowess. The intricate craftsmanship evident in every line and curve is a testament to the skillful hands that brought this sculpture to life. As we gaze upon this vertical masterpiece, we are transported back in time to ancient Greece—a world where gods walked among mortals and heroes embarked on epic quests. This single object serves as a window into their vibrant past, allowing us to marvel at their beliefs, stories, and values. The incomplete nature of this artwork only adds to its allure; it invites our imagination to fill in the missing pieces while reminding us that even great civilizations eventually fade away. Through archeology and literature, we piece together fragments like these—connecting with history through art and craft. In this print from Universal Images Group (UIG), there are no people present; instead, we find ourselves immersed solely in the magnificence of antiquity itself—the beauty carved into stone more than two millennia ago.

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