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Noahs Ark improved, or an attempt to land in the teeth of the wind, Holland, William
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Noahs Ark improved, or an attempt to land in the teeth of the wind, Holland, William
Noahs Ark improved, or an attempt to land in the teeth of the wind, Holland, William, active 1782-1817, en sanguine engraving 1790, British satire on Charles Stanhopes Toleration Bill of 1789 which was an attempt to remove the yoke of religious obligations on persons seeking public office (cf. Test and Corporation Acts). Despite the fact that a person seeking a position in the clergy was bound by the same obligations, the clergy was opposed to passage of Stanhopes bill, as is shown in this image in which two bishops, standing on shore, prevent Stanhope and his Ark, filled with three sacks bearing labels pertaining to the Penal Laws, from landing
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Media ID 9731889
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1782 1789 1790 1817 Active Aged Artwork Attempt Bearing Bill Bound Charles Clergy Corporation Filled Holland Image Improved Labels Land Landing Laws Nostalgia Nostalgic Office Opposed Passage Person Persons Position Prevent Public Remove Romantic Sacks Sanguine Satire Shore Shown Teeth Test Traditional William Wind Bishops Fact Penal Seeking Stanhope Toleration Yoke
EDITORS COMMENTS
The engraving titled "Noah's Ark Improved, or an Attempt to Land in the Teeth of the Wind" by William Holland is a British satire that depicts Charles Stanhope's Toleration Bill of 1789. This bill aimed to remove religious obligations on individuals seeking public office, similar to the Test and Corporation Acts. However, despite clergy members being bound by these same obligations, they opposed Stanhope's bill. In this image, we see two bishops standing on shore, preventing Stanhope and his Ark from landing. The Ark is filled with three sacks labeled with references to the Penal Laws. The artwork cleverly portrays the resistance faced by those advocating for religious freedom and tolerance. Holland's sanguine engraving captures a moment in history when traditional values clashed with progressive ideals. It serves as a reminder of the struggles faced by individuals seeking social change during this period. This vintage print evokes nostalgia for a time when political debates were depicted through artistic illustrations rather than modern media platforms. Its retro style transports us back to an era where engravings like these were widely appreciated as both historical documentation and satirical commentary. As we observe this historic artwork today, it reminds us of how far society has come in terms of religious tolerance and acceptance while also highlighting ongoing challenges in achieving true equality for all.
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